Showing posts with label the blind side. Show all posts
Showing posts with label the blind side. Show all posts

Tuesday, February 23, 2010

Theatre, Life, Movies, and Bloggin'

Hello movie world!

You may have noticed my dismal absence from this blog (if you're one of the zero people who reads this, anyway) and there are a few excuses. First and foremost, computer problems are the main cause, I suppose. I was without internet for over a week as my computer was having some serious issues. All is fixed now, though. Goody!

Suspect number two is THEATRE. No, worry not, I'm still planning on living out a life of movies and movie related shizz (I am moderating into Film and Electronic Arts this semester... hopefully...), but I am taking a theatre class entitled Directing Seminar this semester that is joyfully eating my life. I'm quite pleased to say that this is probably my favourite class this semester. Currently, I am directing a scene from A Doll's House with two lovely actors as Nils Krogstad and Christina Linden. We have six hours of rehearsal a week. I'm also directing/co-directing/performing in a Disney Musical Revue, so that's going to tack on an additional eight hours of rehearsal a week, at minimum, starting this week (directing meant that I had to be involved in auditions and casting and blah blah blah). But the directing seminar is great fun. The book is incredibly useful (for film directing in many respects as well, in my opinion) and rehearsals have been productive. I love making lists and organizing, and planning for rehearsals like that is fab. I've got stuff to prepare for my rehearsals this weekend for the Disney thing too.

But even though I may not have been blogging, I have been seeing movies and doing plenty of reading about the awards season. I finally saw Crazy Heart this past weekend. I also made my first video project (which kinda blew) and the second one is due next Tuesday. Personal life just keeps creeping up in here doesn't it? Well, that does make sense, since I hope my personal life eventually equates the lives I love discussing in this blog.

In the television realm, I finally managed to catch up on Caprica when I was home this past weekend. Good, good show. Very smart. Great characters. I'm really looking forward to more. I'm not as into it as I am, say, into Chuck or even True Blood, but I do watch it with a great interest for the moment, until it furthers my attention (I'm sure at some point it will truly captivate me, but for now, I'm enjoying the ride nonetheless). Chuck has been continuing to be fantastic this season. Chuck is my new favourite show to recommend to everyone. Unlike the other NBC show I used to watch, Chuck has a trustworthy team of writers and showrunners behind it and they haven't let me down for two and a half seasons. For the moment, they have my complete trust. Josh Schwartz knows what he's doing.

In the Oscar race, you can't believe how pumped I am with all that The Hurt Locker's accomplished. The night the DGAs happened, I had two dreams, one in which Kathryn Bigelow won and the other in which James Cameron won and I was so relieved when I woke up to find out that Bigelow was the winner. She deserves it. The Hurt Locker is the best of those movies nominated for Best Picture (even though I put Up above it in my favourite movies list, that doesn't reflect what I think is the best movie of the year, just my personal taste).

There have been several other revelations to me. Like how much The Blind Side annoys me as I think about it more. Not that it's a bad movie, but it's so simplistic and complacent. Maybe Invictus would've been better as a nominee. But The Blind Side is more popular, which is really the only reason I give it a leg up in my mind. Also, how much I want Star Trek to grab the sound award, how I feel it was robbed for a Best Pic nod, and how its subtle-yet-stunning special effects are better utilized than Avatar's mind-blowing-but-everywhere CGI. Best Visual Effects? Avatar, I suppose. But Best Use of Visual Effects? Star Trek. The District 9 snub for make-up hurts more everyday. As for Sharlto Copley's snub. I saw it coming a mile away, but he SO deserved a spot on that list. He'd have been my winner, even after watching Jeff Bridges go all loose-belted in Crazy Heart.

I know Sandra Bullock is popular with the industry and she's not likely to be nominated again with her usual line of work, but I still would rather see any of her competitors win (I haven't seen The Last Station yet, so I'll count Helen Mirren out for the moment, but I'm sure she earned her place). But Meryl, Gabby, and Carey were all fantastic. My personal favourite is Meryl although I'd also definitely give Gabby my major props. She's been overshadowed by Mo'Nique this awards season to an extent, when it comes to winning that is, but her performance was really great. Overall, I've come to appreciate Precious more and more as time goes on. I think I left it off my top 16 list and I sort of regret that now. Well, if I did. I might not have and I might just be forgetful right now.

As I go on in my life as an avid movie lover, I never question why I love it, and I think that's how I know how much I care about everything. From watching the awards season to the bloggers to the Yahoo! posts about random shizz to the need to check off all the movies I see on icheckmovies.com to watching video art in my Video class to looking at directing from the theatre perspective, everything I do just reminds me how much I love it.

Well, maybe aside from Philosophy and Film. We watch good movies, we have interesting discussions, but boy oh boy does that class assign way too much reading. And weekly prompts like asked for don't come as easily as, say, my documentary class' prompts last year. Blargh. I like film. But philosophy... not quite as much. Not always. Sometimes. This is my trouble class this semester. I just can't get into it.

But anyway, the point of this post is the ramble as usual to help prove that I'm still alive and kicking, that I am not here for lack of caring about the movies, but for a distinct love that keeps me distracted from being here and instead relegated to making short tweets about movie stuff. I've got most of my Oscar predictions set, although I'm still debating about original screenplay and, of course, the shorts. I'll be sure to share once I feel fully set. 'slaters.

PS: I do not approve of many of the things they are planning to do with the Oscars. I sincerely hope I am proven wrong when I watch the telecast... but we'll see. *shiver*

Tuesday, February 2, 2010

Immediate Post-Oscar Thoughts...

I guess the main surprise to me, and I know that other people saw this coming, was that The Blind Side snuck into the Best Picture race, eliminating Invictus in its wake. That's not really a move up or down to me, but rather sideways, as I liked both films, but wasn't particularly passionate about either of them. I'm a little disappointed that, even with the lackluster Best Picture love for Invictus, Matt Damon still stole a Supporting Actor nod. I love Matt Damon and he's a wicked talented actor and I suppose this is the Academy's way of making up for not nominating him for Best Actor for The Informant!, but I'd have liked to see The Hurt Locker love showered onto Anthony Mackie, perhaps, or maybe a deserved nod for Alfred Molina, who was snubbed. I haven't seen The Last Station, so I can't judge Helen Mirren or Christopher Plummer's nods, although, of course, I am a bit sad to see newer faces like Emily Blunt and Abbie Cornish forgotten. Although, of course, Helen Mirren probably deserves the nod.

I was especially placed by the inclusions of A Serious Man and District 9 both in the screenplay races and in the Best Picture line-up. People have been predicting District 9 as a likely one for both and A Serious Man as a likely possibility for screenplay, but I was psyched to see A Serious Man included in the Best Picture line-up. I was slightly baffled, but not entirely, to see Penelope Cruz nominated for Best Supporting Actress. I haven't seen Nine, but I suppose Penelope Cruz's talent and charm make up for the bad press and supposedly-eh movie.

I haven't seen In the Loop, but I will, and I am pleased to see it get a spot. I'm even more pleased to see Avatar shut out of the screenplay race. Not that Avatar had a bad script, as many would argue, but simply that there are far stronger scripts in the running this year.

I think I'm out of things to say for this moment, but I do have to run anyhow off to class. These nominees weren't full of too many surprises, but if the inclusion of The Blind Side for Best Picture says anything, it says that Sandra Bullock is definitely the frontrunner, which makes me sad, because, to be frank, Meryl Streep's performance was infinitely better. She's won before, sure, but jeezum, she still deserves it now.

I am sad that pretty much none of my longshots, at least of the announced categories, came through, but that was to be expected.

Wednesday, December 30, 2009

Sidenotes.

Also, notes:

- Caught up on Dexter. SO GOOD. Jesus, I don't understand why Michael C. Hall hasn't won an Emmy or Golden Globe yet. Love ya, Jon Hamm, love Hugh Laurie, love most of the repeat nominees, but my vote is going to Michael C. Hall this year. Just brilliant work this season (not to mention every season). I also understand the upset over Jennifer Carpenter being left off, at least at the Globes this year. Man, she was extremely powerful this past season. Highly impressive.

- Starting to catch up on House. And admittedly, a bit bored. Granted, I've never been intensely into House. Love Hugh Laurie, LOVE Robert Sean Leonard, love Lisa Edelstein, love Chase's accent, love Taub, loved Kutner... but I've never been particularly thrilled with procedurals. I'm still a few episodes behind though. I'll catch up soon.

- Seeing Sherlock Holmes tomorrow. Excited. Lykewhoa. I love RDJ. I tend to enjoy Guy Ritchie films. I love bromantic action flicks. So, this should be enjoyable if nothing else.

- icheckmovies has gotten me horribly wrapped into the world of watching movies. OH GOD WHAT A HORRIBLE PLACE. Kidding. But I did finally watch A History of Violence earlier and Saving Private Ryan and Artificial Intelligence are waiting for me. Not to mention my 15 or so movies on my external harddrive, the three or four DVDs I own that I've never watched, the few cool looking movies hulu offers, and all the movies I have yet to see in theatres (oh dude, I totally forgot about The Road in my last post... whoops... well, I'll see it). But it feels so nice to see my number go up when I watch a new movie! Like what happened after I saw The Blind Side on Monday. Whoo! Oh, btws, yes, Sandra Bullock was pretty awesome in it. Movie itself had me grimacing a little, but it was, for what it was, warm and gooey and enjoyable.

Rambling complete.

PS: Rewatching last episodes of Chuck. SO FRIGGIN EXCITED FOR ITS RETURN. SQUEE.

Friday, November 20, 2009

On FlashForward, TV this season, New Moon, The Blind Side, Film Class, and Precious (granted, Precious got one sentence...)

Last night's FlashForward was quite good, wasn't it? And I am really liking V as well as it progresses. Although I started off the season more focused on the new comedies (Modern Family, Community, and Glee), I find myself slinking more toward the sci-fi dramas because, well, they're awesome (nothing against the other shows; they're quite good as well). Although I am loathe to admit that I am not as passionately crazy about Glee as I was in the beginning, I still am a big Gleek at heart, downloading the music and episodes as soon as I can. But last night's character-driven FlashForward? So freakin' GOOD. I am really excited to see more of Keiko; she seems like such a great character.

In other news, you may all have heard of a little movie coming out today called New Moon (which, if I even bother to pay money to see, won't be for another month when the fangirl numbers coming en masse to theatres have dropped considerably), which I am psyched to see being critically smashed to pieces. The funny thing is, the worse the reviews are, the more I want to see the movie. If it was just a snooze-fest of "eh, blegh" I would be disappointed. But hearing about the poor effects, the funny camera angles, and the hilarity of it all (thank you TWoP) just makes me interested in having a few laughs. Twilight made me crack up consistently, for example, so I have a feeling New Moon can entertain appropriately as well. Unfortunately, New Moon will kick ass at the box office. Blargh.

I am seeing Precious a week from tomorrow. I am excited!

And I have finally discovered the art of editing. I mean, my editing may be shit for all I know, but hey! I have now edited three approx. three minute projects. Booyah. This weekend is "get shit done for film class" weekend, which also means I need to shoot my fifth project. Fun fun times! Next weekend is internship weekend, the first weekend of December is jazz class weekend, and the last weekend of the semester is "oh hay, final paper for lit class!" weekend. Yeah. Fun fun times.

And on a final note, you have no idea how glad I am that The Blind Side has been getting reasonably good reviews. It makes me feel like less of a total loser for genuinely wanting to see that movie.

Friday, November 13, 2009

Oh Movies! How I Long to See You! Let Me Count You...

Up in the Air
...because I love that who seems to be the most successful Twilight actor played an annoying human and I am rooting a hundred percent for Anna Kendrick even though I have only seen the previews. Oh and George Clooney and Jason Reitman are fabulous too. I liked Thank You for Smoking far more than I liked Juno (I liked Juno plenty; but it was way overrated) and the previews just look stunning and I've only heard good things.

Fantastic Mr. Fox
...because, although sometimes I am not that into Wes Anderson, this looks wonderful. I didn't really pay it much attention until I finally saw the preview before Where the Wild Things Are and then thought to myself how wonderful that film would be. Meryl Streep and George Clooney hardly hurt my desire to see what looks like a very clever and quality animated film. Also, good reviews encourage me.

The Road
...because, although I've been back and forth on my expectations for this film ever since I heard about it, if Cormac McCarthy thinks it's a good adaptation of his magnificent novel, I might end up genuinely liking it. Plus, Viggo Mortensen does no wrong.

Precious
...because I like crying during movies. I'm a little apprehensive that it'll be overhyped and a replay of the whole Slumdog Millionaire craze (good, tear-jerking indie movie sweeps the awards... not that the two are the same movie because I've gotten the impression that Precious is no holds-barrel depressing and horrific as opposed to Slumdog Millionaire's general cheeriness despite the slums), but it's also been beloved by many, even if not by all. I can understand the fatigue, but I still liked Slumdog Millionaire too.

Invictus
...because I adore Morgan Freeman and am excited to see a movie that looks perfect for him. Not to mention that the trailer looks very strong, the plot is interesting, and Matt Damon is also a really fantastic actor. Clint Eastwood directing doesn't hurt it either.

The Lovely Bones
...because I fell in love with the book when I was required to read it the summer before my freshman year of high school, staying up until 9am finishing it, crying like a baby. Saioirse Ronan is a wonderful actress (one of the actually quite good parts of Atonement, as the Academy recognized her before), Peter Jackson is certainly a capable director, and although Mark Wahlberg can be kind of questionable, he did kick major ass in The Departed (Oscar nom!) and the rest of the cast looks solid. Oh and the trailer makes me cry every time I see it.

The Hurt Locker
...because I'm behind on the game and missed it over the summer and my feminine power side is just so excited that Kathryn Bigelow is being talked up as a Best Director possibility because it is still so sad how old-fashioned the film industry is. I love me some old white guy movies, but that doesn't mean I don't want to see alternatives succeed! Not to mention that I've only heard the best things about this movie and I enjoy quality action-centric films.

The Princess and the Frog
...because for all that Disney has done wrong, they made some awesome movies in the '90s and this seems like a good return to form. Maybe it won't be quite Pixar-level, but I still think it'll be an enjoyable ride.

2012
...because I am so curious as to see what happens after the world implodes.

Avatar
...because I want to be convinced that it is actually worth the hype (I doubt I will be). Alternatively, I look forward to telling everyone how it isn't good enough. But I love Sam Worthington, so I'd also like for it to succeed. Maybe. Maybe not. We'll see. I'm really wary of this movie.

Sherlock Holmes
...because it looks badass and Robert Downey Jr. is beyond amazing (not to mention that the rest of the cast is also quite strong and Guy Ritchie does make some good films... let's all forget that he remade the already nutty Swept Away...). I love action flicks too, if I didn't already make that part clear.

An Education
...because the critics told me to for Carey Mulligan and I am their slave (I wish I were lying).

A Serious Man
...because I've heard it is good. And I do like me some Coen brothers. And I went to my first bar mitzvah this year so now I'll all kinds of curious about the whole premise of this film.

A Single Man
...because I do quite like Colin Firth and want to see how he does in this (supposedly, fabulously).

Nine
...because I remember when I saw the trailer before I even heard most of the awards prediction possibilities about it and thought to myself "well this looks AWESOME" and watched the trailer about ten more times that evening. Also, just LOOK at that cast. And it's directed by Rob Marshall of Chicago... and I went back and rewatched Chicago for the first time in a while recently and remembered just how actually good it was. And those visuals? Oh god, I am exciting myself all over again for this movie.

The Blind Side
...because although it could easily be cheesy and lame and eh, I still find myself attracted to it in all its tear-jerking glory.


And god I hope that's all the movies I plan to see (there will be more, especially when the award nominations start rolling in and I realize which ones I'll need to see... fuck the Oscars for naming the nominees so late this year; I'll already be back at school with absolutely no time or a Netflix account... bizznatches). I also hope that most of these movies are worth seeing.

PS: Fuck tag limits. I also intended to tag: 2012, The Princess and the Frog, and Other Awards, but the stupid character max stopped me. >.<