Hello my lovely readers... if there's anyone still out there.
I apologize profusely for my long absence. It has been a long several months in many ways - academically, personally, and in the entertainment and art world. I've seen many a movie and many many a television episode. I do not have much new to talk about or analyze. I could do quite a bit with We Need to Talk About Kevin, but I'd rather not because that would be digging too deep into my personal life and I really want to talk to my therapist about my relationship with that movie. I could talk about how things like We Need to Talk About Kevin and Breaking Bad, amongst many other things, remind me of my weirdly complicated relationship with my brother - which shouldn't be that complicated considering we've spoken very little with one another in about a decade. This is a subject matter I fully intend to explore through my film work. Expect lots of bizarre stories of young men and older brothers.
Right now, I feel more like discussing something more to my liking - making a list. I will delve into the personal realm (as I always do) as I plan to write in this post the master list of all the television shows I have ever watched (well, dedicated more than an episode or two to) and my experiences with them. Some I will brush over quickly, others I will talk about more extensively. This has little to do with whether I think a show is great or terrible. I will leave my thoughts as these shows as art and entertainment to another post another time, but here I do plan to explore my relationship with each of these shows. So, I hope this is enjoyed and I hope you don't mind that it's not as analytical or exciting as anything I'd like to write but this is what I want to write right now.
Note: I am skipping over a fair chunk of the television I watched as a kid. Things that have stuck with me, or that I've rewatched more recently, are more likely to be listed here. But things like Sesame Street, which, though great, I haven't watched since probably the mid-nineties isn't going to make it on this list.
Note Part 2: I will be including a lot of television I watched sporadically (as, pre-Heroes I didn't watch most television regularly). This will all be noted below.
Let us begin...
- 10 Things I Hate About You
Originally, I thought this show would be stupid. I loved the original movie it was loosely based off of and this was going on ABC Family. It also didn't get renewed. I also never finished this show. But it was actually kind of enjoyable and I liked being proven wrong for once. The sisters were good... the boys, especially the supposed-to-be-Joseph-Gordon-Levitt one weren't quite so solid. I haven't been able to bring myself to finish it because I know it won't be satisfying as it was canceled.
- 2 Broke Girls
Being as this is a more recent show, I've watched it from the very beginning. I'm thinking of quitting it now though. I love Kat Dennings and Beth Behrs as the leads, but the show doesn't seem to honor their talent and chemistry well enough. And I'm worried about messy mythology - which, for me, is essential in a good sitcom or any show really.
- 7th Heaven
I'm not (too) ashamed to admit I've seen every episode. I watched the first seven seasons in reruns and then started watching it from there. Not going to lie, I even embraced fan fiction for this one. I enjoyed the middle seasons where it started making fun of itself but wasn't as melodramatic as it started out and ended. I admit it's all pretty friggin ridiculous, but it was on after Gilmore Girls reruns on ABC Family afternoons so I ended up watching it too... and Smallville.
- 8 Simple Rules
I never got super into this one - I watched some reruns and caught a few new episodes. It was before I got into regularly watching television.
- All That
One of my childhood loves - I didn't get the Disney channel until I was about eleven or twelve (when it became part of our basic cable plan) so Nickelodeon was my place. It deserved to be too - shows like All That really were fun and kind of funny - especially to a kid who didn't get Saturday Night Live humour yet.
- The Amanda Show
Same as above. I watched both sometimes regularly, sometimes sporadically. I've probably seen most of the episodes of both, if not all of them at one point or another. With All That, though, I know they brought it back for years after I stopped watching with people whom I know nothing about so, at least for The Amanda Show, I probably watched it all.
- America's Funniest Home Videos
Some of them were really hilarious. Some weren't. Sometimes I watched. Frequently I didn't.
- American Idol
My relationship with American Idol is actually a fun story. I watched the season one finale, just the very end, where Kelly Clarkson won and sang "A Moment Like This." I was always into music and that's the moment I decided to be a pop star and eventually audition when I was old enough. I started watching around the Top 8 of season 2 and then watched regularly seasons 3 through 5. Then I was old enough to audition. At that age, 16, I wasn't sure I still wanted to do music, but I decided to go through with it anyway. As you can probably guess, I didn't make it. Didn't even make it to the proper auditions you see on screen. Not surprising to me (I was nervous as fuck all) and I didn't mind after a bit of childhood dream-crushing. See, American Idol started to literally put me to sleep in the 5th season. I would eat dinner, start my homework, half-watch TV, put on American Idol, pass out halfway through, sleep for a couple hours, finish my homework, then go to sleep proper. It was a regular thing. Nights when it wasn't on, it would be another show that would put me to sleep. Sophomore year must've been an exhausting year (oh 15/16-year-old self, I don't think a single year has been chill since). I watched a bit of the season 6 premiere to look for any sign of myself and then recently part of the NY auditions in the most recent season (where I recognized a girl I'd taken a PoliSci class with flirting with Steven Tyler... oi).
- Angry Beavers
Watched frequently as a kid, probably caught most of it. Seems funny to me now that I know other meanings of beavers.
- Animaniacs
This is how I learned e=mc2 amongst many other important things as a child. Watched a fair chunk, though not particularly regularly.
- Arrested Development
Currently progressing through (halfway through season 2). Everyone told me I should watch it. So far I'm really liking it. Like I've mentioned above, mythology is everything to me. It screams consistency and care in any television show. It doesn't have to be huge or central, just present.
- Batman
This live action Batman TV series was my show as a kid. It was my introduction to Batman, even before the animated show. Seeing the porno Batman XXX inspired by the show was wonderful too - the porn parts didn't matter to me but OH MY GOD was it hilariously pitch-perfect to the old TV show. I love this shit. Believe me, I love almost all of Batman, but this is my origin story.
- Batman: The Animated Series
A continuation of my love affair with Batman over my life, I've seen most, if not all, of this show. I started rewatching it a couple years ago (having downloaded the whole show) but got really lazy about it and stopped in the single digits.
- Battlestar Galactica (2004)
Well, if you know anything about my love for television, you know about my love for this show. One of my favorite television shows ever, I've seen every episode at least twice (though I admit to skipping over "Black Market" most of the times I've rewatched it), seen all the webisodes, and I own the entire series (TV movies included - well, not The Plan, but I've seen The Plan... it's kind of crap). 4.12 and 4.13 are probably my favorite episodes in the series, and Laura Roslin is likely my favorite character. She's one of the best female characters ever and that Mary McDonnell never got an Emmy nod is bollocks. Same about the show, but Jesus Christ especially her.
- The Big Bang Theory
Started watching this a couple years ago, caught up on the entire series, and have seen it all. It's got its moments and I do like it overall, although I understand discomfort with it - it can be pretty clear that the people behind it are painting a picture of nerds they know, not nerds they are.
- Bill Nye the Science Guy
Like any kid who took science in the '90s, this man is everything and his show was the highlight of science classes to me (until I took chemistry in high school and fucking loved it). We got a history teacher in 11th grade named Chip Nye and we had a kid in our class named Chip, which was in place of William - so we all hoped desperately that he was Bill Nye the Hist'ry Guy. Alas, that wasn't his first name, we had him for one class, he ended up in the hospital, and we never heard anything about him again.
- Boy Meets World
Boy Meets World was one of my favorite television shows growing up. I started watching it just as it ended its run at the end of the nineties/the early '00s and watched reruns constantly. I've seen it all and loved it all (even the more blah parts). "Chick Like Me" was one of my favorite episodes ever. Mr. Feeney was the best - one of the few folks I've ever splurged on a graphic tee for (I gave up on graphic tees generally when I was about 15 or so - now I buy them once in a blue moon for good reason - my Mr. Feeney T-shirt, my Nightwish T-shirt, my Hunger Games themed teefury T-shirt, my Leon Botstein T-shirt, and my Harry and the Potters T-shirt). I laughed, I cried, I admired Shawn's hair, and I to this day believe in the power of the contents of my purse to reveal everything about me.
- The Brady Bunch
My lesser of my two favorite shows in the Nick at Nite line-up, The Brady Bunch was good wholesome fun but also kind of dull at times. Still, I watched pretty much all of it. I still don't believe they never thanked Alice before that one episode though.
- Breaking Bad
This is my newest current project. After telling myself I'd watch it for years and being told to watch it by anyone whose site I read (and my brother most recently - though he was actually telling our parents but I'd been planning to eventually anyway), I finally dove last evening. I'm still on season one and slowly working my way into it. The scene with Jesse's family, so far... it makes me think this is who my brother might paint himself as. When I watch shows I know my brother loves (like this and The Wire), I see how he looks at them from what I know about him. He used to dress like Jesse. Still sort of does. Used to consider himself pretty "hood" but he had a nice wholesome home to come home to and a younger sibling, whom I can bet he imagined had conversations about whether to continue the piccolo or oboe. Just to let you know, Drew, we never had fucking conversations like that, considering I don't play any classical instruments and I had the decency to continue playing saxophone into college even though that drumset mom and dad bought for you went unused for years after you quit a year and a half into it. Ahem. Like I said, my personal life has been on a mind a lot lately. Excuse me.
- The Cape (2011)
Unlike Abed, I gave up on The Cape pretty quickly. I fell behind after the first four episodes and then it got canceled and I never bothered to catch up. I wanted to like it - I did like it - but it didn't work out between us.
- Caprica
Did you not read above how everything to do with Battlestar Galactica is my life? No? Well then, I've seen all of Caprica. I started from the beginning. I remember seeing advertisements when I visited my roommate in L.A. - I was so excited to see them. I was so excited for the show. Overall, I really did like it, although I liked 1.0 better than 1.5. Tamara's episode where she conquered the Matrix essentially... best. And Daniel threatening Zoebot with fire. Beautiful shit.
- CatDog
Watched this here and there as a kid. Never got very attached. As I had a cat and a dog, I found the premise pretty amusing though.
- Chuck
I started watching Chuck from the start because it aired with Heroes, which was my favorite show at the time. By the second season, Chuck was one of my favorite shows on the air. I even attended Chuckfest 2010 when I was in L.A. with my roommate (whom I had gotten into it) and watched the third season premiere there. I admit I've fallen behind on the latest season (the latest twist at the end of season four was not my favorite to say the least) but I intend to get back into it by the time my beloved series ends.
- Clarissa Explains It All
Oh Melissa Joan Hart - you were everywhere in the nineties. Including in my television when I watched the occasional rerun of this.
- Community
I started watching this from the start and have kept up with it lovingly. I own the first season on DVD as of a couple weeks ago. Community is one of my favorite shows ever and possibly my favorite sitcom ever. I love all the characters and admire Abed's dedication to pop culture I could never reach and, most of all, I relate most to the show as a whole and its feelings and opinions because very few shows have that sort of character of its own you can touch (that aren't simply the lead character) and feel connected to.
- Cowboy Bebop
Someone suggested I watch Cowboy Bebop when I was fifteen because the way we were Role-Playing Atton and Mira (from Star Wars: Knights of the Old Republic II: The Sith Lords) reminded her a lot of Spike and Faye's relationship. I caught the second half of the third episode at about 2AM that night on my tiny TV in my room and was intrigued. I caught the entirety of the fifth episode a couple days later. I fell in love. I borrowed the first five episodes from a friend who was super into it, then bought the entire rest of the series myself. I've seen this show a number of times, and the movie, and it is one of my favorite shows ever, competing most frequently with Battlestar Galactica for that top spot. I named my cat Spike after Spike Spiegel. And more than the show itself, I absolutely love the music. Anybody who's seen the show would say the same. Being a saxophonist myself, the jazz music (and the many genres the music actually covers) was a revitalization of my love for music that had fallen away and assurance that being a saxophonist was super boss and a good thing to have chosen to identify as. I have never gotten sick of the music at large (though some songs, of course, have lost their touch). I've learned some of them on saxophone, including "Tank!" of course. I wrote my own song to the tune of "Goodnight Julia." That music, that show, made me love jazz. And I love jazz.
- Dexter
I'd started hearing a lot about Dexter after its fourth season, now that I had started listening to the winds of pop culture and the entertainment world. So I started watching. I worked through the first four seasons, assured I would love Lilah by an acquaintance and then hating her with a passion, realizing that season one was my favorite by a longshot and that I still liked the show overall. I've kept with the show, liking it and being disappointed in it in equal measure. Mos Def was the best part of season six and the big reveal came too late and in an otherwise blegh finale. But I won't quit it yet. I care too much about what happens next.
- Dexter's Laboratory
Who, my age, didn't watch this as a kid? Goddammit, Deedee, gtfo of his lab already! I've seen a fair chunk of this show though possibly not all.
- Doug
I really have no attachments to this show, though I watched it pretty regularly as a kid.
- Downton Abbey
Marathoned the first season early last semester after I'd started hearing about how good it was and loved it dearly. Then season two came and wasn't quite as brilliant, though still good, and thank god for that Christmas Special.
- Even Stevens
Shia LeBouf, I will always remember you as Louis Stevens and Stanley Yelnats, even if I questioned your casting as Stanley at the time (Stanley was supposed to be Caveman! He was supposed to be bulky!). I watched most of this show in reruns once we got Disney.
- Falling Skies
All the reminders to me of Battlestar Galactica have helped me really like this show more than I might have expected. It's not brilliant, but it's pretty good and I like most of the characters (even the teenage son - which is weird because teenagers on TV usually suck unless they're the main cast... when they still might suck but it's a bit more up in the air). Mostly though I love finding connections to one of my favorite sci-fi series.
- Firefly
Speaking of brilliant sci-fi, I finally watched through Firefly over the summer. I wasn't sure that I'd like it as much as I did because I'd been told for so long by so many people how great it was, and been told more underwhelming things by a few others. But whether it's a great show or not, I loved it. The movie too. Reavers are the most terrifying embodiment I've seen on TV in a long time. And man oh man was I all for Kaylee and Simon to live happily ever after. Spoiler alert, but someone told me the end of Serenity was like a bloodbath so I was expecting the worst. I was so glad I didn't have to watch everyone die like I expected.
- FlashForward
Well, Voldemort's younger brother Shakespeare was the lead and I find him mighty attractive and I was intrigued by the show and I stuck through it and watched it all and discussed it and liked it pretty well, but I wasn't so impressed that I was at all disappointed when it was canceled.
- The Flintstones
Watched this sporadically but quite a bit as a kid. This and The Jetsons were a big thing back then. My whole family were big fans.
- The Fresh Prince of Bel-Air
Seen most of it via reruns. Oh Will Smith, I have adored you.
- Full House
I've seen the whole series, most of it multiple times, thanks to reruns. This is one show I regularly watched reruns for (and there were a lot of them) throughout my adolescence. I still watch reruns of it occasionally. It's got its moments. I liked the three dads routine. It also made my home feel pitifully small. Most TV I watched as a kid made me feel isolated. I did live on top of a hill at the end of a dead-end road in a rural town filled with lots of old people.
- Game of Thrones
Started watching this from the beginning and have seen it all. Nothing much to report, besides my love for how goddamn attractive Robb Stark is.
- Gilligan's Island
This was my favorite of the Nick at Nite crowd as a kid. Man oh man I loved this show. I loved that island. I loved the whole goddamn thing.
- Gilmore Girls
Like its other ABC Family rerun friends (7th Heaven and Smallville)), I started watching Gilmore Girls via reruns. I saw the first four seasons that way (the best seasons, in my opinion, culminating in that beautiful kiss between Lorelai and Luke and Kirk running naked out the front door). I watched the rest of the show as it aired regularly. Even though the secret Luke daughter drama and the Rory boyfriends drama (I was always, ALWAYS partial to Jess and think he should've been the one) got tired, Stars Hollow was always the best friggin place ever. It and Mystic Falls are my favorite fictional towns. Stars Hollow probably wins though because a lot less people die there. But they're both so adorable and tight-knit and event-y!
- Glee
I've seen it all (except the most recent episode) I'll admit. I loved it, I hated it, I have had extremely mixed but mostly annoyed opinions about it and I think it is one of the most ridiculous things ever. Even the covers, which were wonderful and fun at the start, have gotten terrible (for the most part). I mostly enjoy the show when it's just performances and no really dumb and inconsistent drama. This show is one example of how important continuity is to me. It's hardly existent here, thus I kind of hate Glee. I can't quit it though because it's such an interesting trainwreck to watch.
- The Good Wife
I caught the first two seasons over the summer, watching them through rapidly and realizing how much I was falling for this show and its brilliant cast despite its appearance as a procedural (I am generally not into procedurals). I can accept procedural format when the weekly-cases-of-whatever are actually interesting (like House in the first several seasons). Luckily, here they are, and here everything outside of the cases is even better and there's a lot of it, but it moves at perfect pacing. Not too quickly, not too slowly. Just right.
- Gossip Girl
I wasn't expecting to get into this. There was a really funny tumblr that featured pictures of outfits Chuck Bass wore and had cute snippy commentary for each. I realized how much I loved the fashion and began watching with that in mind. I really did enjoy the first two seasons very thoroughly, though. After that... I kept watching, liking certain parts and hating others, and enjoying overall the melodrama and still loving most of the fashion. I can accept Gossip Girl for being pretty terrible most of the time because it seems so self-aware most of the time... even if it does recycle plots and misuse guest stars pretty badly.
- Heroes
This was a big turning point in my television watching career. I wasn't regularly into television until Heroes. I didn't even watch it from the start - I got into it about halfway through season one. I started it, I caught up online, and I was addicted. I recommended it to everyone I knew. I obsessed. I loved the wiki for it with all the hilarious "fan theories" about Mr. Muggles. It made me want a Pomeranian. I even stuck with it lovingly through season two. I watched season three as well, enjoying moments more than the show overall, bonding with fellow college students as we watched it in a small group on Mondays after the Gossip Girl crowd (before I watched the latter). I even started watching season four. Then my parents' DVR ate the next few episodes and I was so disappointed in the show I had once loved that I gave up after the first two episodes of season four. Only once has someone defended the fourth season to me. I never went back.
- Hey Arnold
I hated how cool Arnold was. I hated how he could ride alone on a subway at age nine. I hated how isolated I was and that he had the freedom in a big city. I watched most of this, if not all, and hated it but not really - it was a good show, I was just so envious.
- Home Improvement
I watched this intermittently as reruns for the most part. This was Tim Allen's introduction to my life. And in Toy Story of course.
- Homeland
I heard this was good. It was fucking brilliant. My favorite new show of this season. Claire Danes has been a loved actress of mine for years even though there hasn't been much for me to celebrate about her (besides Temple Grandin last year, which was amazing). Now there is. So much to love, so much to think about, so much to look forward to.
- House
I started watching House in its fifth season. I concurrently watched the current fifth season while catching up on the prior four seasons on DVD. I even hid away a lot during our annual Thanksgiving trip to western New York to watch more of the back seasons on my laptop. I was rooting for House and Cuddy all along. Then they kissed. And then I stopped watching, because I got sick of how far the show had fallen and how bored I had gotten with it.
- How I Met Your Mother
A few summers ago, I decided to try HIMYM. I blazed through the first four seasons, while catching up on True Blood at the same time. Even though I'm not sure how much I love it anymore, the mythology has always been a strong point and the importance of callbacks and quirks has made me appreciate the effort and time put in. The characters have gotten a bit obnoxious the past couple years though. I still watch, but enjoy the drama more than the comedy these days.
- Human Target (2010)
I was super into this show, even though I never finished it once it was canceled (I made it a fair way through season two). It was greater than I think most people gave it credit for and one of my favorite things, as I've blogged about before, is its similarity to Cowboy Bebop. I also love action. I grew up on James Bond, loved MI4 recently, and dug the action in this.
- Invader Zim
I watched a bit here and there but, to be honest, I never liked this show or understood exactly why it caught on so popularly.
- The Jetsons
Like I said above with The Flintstones, this show was a great jam as a kid. I loved sci-fi in all forms, even dorky domestic ones.
- Johnny Bravo
I watched it here and there. The most I can remember is how much my mom loved this because she loved that Johnny treated his mother so well. I wonder if this was around the time my brother started treating her like crap. He grew out of it but there were several years (his teenage ones for the most part) where he was really dickish to her.
- Kenan & Kel
I watched a rerun of this a few weeks ago and it still feels fresh to me. I will defend Good Burger for all eternity because I love that shit... even if it is shit. And I loved both Kenan and especially Kel. I always wonder what happened to Kel. I watched most of this, if not all.
- Kim Possible
Ron Stoppable for some reason frequently reminds me of Ron Weasley. Kim was so badass - it was great. It was fun and I watched most, if not all, of this awesome set of missions.
- Life with Derek
I watched this show here and there and, have to admit, this was one of those times, since I was a bit older than a kid, where I was just focused on how much the two leads needed to hook the fuck up.
- Lizzie McGuire
Like any other girl my age, I've seen it all. I loved and hated Lizzie because she reminded me of myself so much. She was better and worse. But mostly better because she was a TV character and I was a real kid whose middle school years sucked massive balls enough to switch schools.
- Lost
I found it poetic that I started watching Lost on the day of its series finale. I watched it from the start, though, on hulu. I dove right in and marathoned through quite a bit. I made it to about halfway through season 5. I'd managed to spoil quite a bit for myself. I'd known from the start that Charlie died (I originally had thought I might watch it for Dominic Monaghan until I heard he died... and something about polar bears on a tropical island...) but I also found out about a handful of sixth season deaths. Then I joked to a friend that everyone died in the end and I knew. She, having seen the whole thing, lamented to me about everyone being dead. And then I was like "WTF I DIDN'T ACTUALLY KNOW THAT." I never finished it. One day I might.
- Mad Men
I started in the second season, marathoning the first on DVD. I've loved much about this show, but especially Peggy. Everything about her, everything she's done, how human she is. And "The Suitcase" is one of the finest episodes of television ever, in my humble opinion.
- Misfits
After the second series had actually ended, I thought I might as well try this show - I loved superpowers after all. I really enjoyed it all, even though I was skeptical about the third season and super pissed off during the second season Christmas Special. Simon had been my favorite for a while, and like anyone, I loved Simon and Alisha together. Tumblr spoiled that for me before I bothered to finish season three though. Alas.
- Modern Family
I'd heard it was good, so I watched it, and it was good and it still is, though not the best.
- New Girl
I was skeptical at first, but it's grown on me as I've kept at it. And mostly Schmidt. I'm one of those people that liked the douchejar.
- Nikita
The pilot didn't impress me much. But since then, being a sucker for action and great female characters (especially leads), I've fallen pretty in love with the show. And Owen. Because he's skilled and super hot.
- The O.C.
There was a time when I watched this! About halfway through the first season, I started in. I wasn't super into each episode, but there's always be an amazing tease for next week, so I'd have to tune in. This continued for about a year, until I missed an episode about halfway through season two. Then I realized that I didn't really feel the strong desire to keep watching anymore. I hadn't been teased with a promise that wouldn't be fulfilled, so I stopped.
- Once Upon a Time
I've watched the first few episodes with friends. We've had a brilliant time mocking and somewhat enjoying the ridiculous fairytale drama.
- Parks and Recreation
One of this past summer's discoveries. I marathoned quickly through the first three seasons. I completely understand everyone's love for all of the characters. They're amazing and wonderfully presented by the writers and the actors. I've kept up and fully intend to until the end, whenever that may be.
- Phil of the Future
Phil was adorable. I watched this sporadically, though quite a bit. Another show where I just wanted the guy and girl to friggin hook up. They were clearly meant to be.
- Pinky and the Brain
I watched this plenty on and off. Home of one of my favorite catchphrases ever. "What we do every night, Pinky... try to take over the world."
- Pokemon
Possibly the first show I ever watched regularly, I would arrive home after school in the fourth grade, drop my backpack, plop on the couch, and immediately watch Pokemon at 4PM every weekday. I've seen a fair chunk of the (very long) first season and a sporadic other episode here and there. Recently, my friend and I started rewatching the show. We've made it about halfway through the first season. I miss Charmander. He was the cutest fucking thing ever. Pikachu also is. And Mew in the Pokemon movie. So. Cute.
- The Powerpuff Girls
I watched this loads as a kid, seeing a fair amount of the show overall. Bubbles was my favorite. Probably because she was blonde and wore blue (my favorite color at the time).
- The Proud Family
Al Roker has never been the same to me after this show. I watched most, if not all, of this. It, along with Kim Possible, was one of the animated series that was in my adolescence with me and was worth the time I put in.
- Recess
I wish I had watched more of this as a kid. I watched quite a bit, but not all of it I am sure. It was witty and great and in retrospect it's one show I regret not having spent more time on.
- Revenge
I was curious about the good reviews it was getting, and have been with it from the start. If not for Homeland, this would be my favorite new show of the year. I really hope Daniel dies though. I'll be disappointed if they don't go through with that tease. Madeleine Stowe is amazing. And Nolan is everything I wanted him to be and more, so far.
- Rocket Power
I watched this pretty often and probably saw a good chunk of it. I hated it though. Like Hey Arnold, part of it was the independence these kids had. Part of it was the fact that our leading man was a dick, though. He was just kind of an awful kid.
- Rugrats
Having watched Rugrats very frequently as a kid, it was the first place I realized I really wasn't into potty humour. I liked everything else about the show and found it quite funny but I could not stand behind the potty humour, even after reading an essay about body humour in children's lit.
- Sabrina, the Teenage Witch
Melissa Joan Hart part II, since this actually aired when I was attentive enough as a kid, I probably saw more of it than her other show.
- Saturday Night Live
I've never been a regular watcher of SNL, but I've watched enough episodes that I wanted to include it here. There's a lot I've loved, and a lot I've found distinctly unfunny. I hate Seth Meyers' Weekend Update. I rarely find it funny and he's always almost laughing. He made the "Founding Fathers would shit themselves due to cars if they were here, not care about our politics" joke I thought was hilarious and thought I had come up with in the fourth grade. Come on.
- Saved by the Bell
I am not sure how much of this I actually watched, but it was the first drama I actually watched as a kid. I was pretty young when I saw most of it and got a lot of my impressions about teenagers and high school from it.
- Sex and the City
I've never watched it regularly, having been asked to watch it with friends and watching reruns here and there when it's on TV. Everyone always asks themselves which girl they are. Everyone wants to be a Carrie right? I'm probably more of a Charlotte though with a bit of Miranda thrown in there. I'm probably none of them really because I'm actually Sarah.
- Sherlock
Just marathoned this about a week ago, I am so glad I was convinced to watch this because it's fucking brilliant and I love it.
- Sister, Sister
I'm pretty sure I've seen it all. I found the boyfriends interesting and I loved the later years, weirdly enough. The appendicitis bit is etched into my brain forever. My appendix has never been removed so every once in a while when I'm paranoid it's ruptured, I think of the scene in this show.
- Smallville
I watched the reruns of the first four seasons of this on ABC Family. I was intrigued, as I've always been pretty into superheroes (thanks to my indoctrination into Batman as a young child). I was into them, especially the mythology because, say it with me I love mythology. I started watching the fifth season regularly when it started up. I got bored though and didn't feel like bothering anymore and gave up. I've seen an episode here and there since I gave it up and am glad I did.
- So You Think You Can Dance (US)
Summer before last, I realized I should watch this show. Why? Because I love watching people who can actually dance. So I started with season seven, while hunting down the previous seasons online. I started season one but got so bored with it that I stopped just after the performances began. Maybe it was the lack of Cat Deeley. Maybe it was so many people whose dancing was not being challenged or really shown off that much. But when I started season two, I was in love. I watched all of the back seasons while and after I watched the seventh season and found my favorite routines and dancers and wanted to talk about it always. I watched last season too and, while I enjoyed it thoroughly, I can say confidently that my favorite seasons are three through five.
- SpongeBob SquarePants
I'm pretty sure I watched the first episode ever when it aired. It was the perfect timing - I was nine and watched a lot of TV, especially everything on Nickelodeon. I watched it quite a lot for the first few years (though not regularly, frequently enough with enough reruns that I probably saw most of it at the start). Then I grew out of it and it continued anyway.
- Star Wars: Clone Wars
I almost forgot about this short lived series of short episodes. It was boss. I watched it all, bought the DVDs, and watched it with a bunch of friends at school in the senior lounge senior year of high school during free periods. At one point, there were like six or seven of us watching, these two girls came in, Lexi and Shaina, and gave the TV and us this look (Mace Windu was being super badass, as per usual) and asked us what we were watching, why we were watching it, and if they could watch something else. Considering how much we were enjoying it and how much we outnumbered them, we turned them down and they, disgusted, left. Whatever.
- The Suite Life of Zack & Cody
I've hardly watched the spin-off, but I watched most of the original. Since I got Disney a bit later, as I was hitting adolescence, I watched a lot of Disney TV at an age when I might have been getting a little old for it. Just a little. I stand by the PRNDL over stickshift. I loved Brenda Song here. Like, legit - she was perfect.
- That's So Raven
Oh psychic Raven... you were so cool. I watched most, if not all, of this.
- Tom and Jerry
God knows how much Tom and Jerry there is and how much I've actually watched, but whenever I want something chill to watch and there's a Tom and Jerry rerun on, you know that's my channel.
- True Blood
As I mentioned above, I was marathoning True Blood's first season and the start of its second as I was marathoning How I Met Your Mother. I had started the former thinking about the gay rights metaphors I'd been told about. I also just really enjoyed Eric's existence and was pretty into Sookie/Bill. I hadn't decided whether I actually liked the show or not. I don't think I ever have, even though I've watched it all now. I don't think I like it much anymore, although I might have used to. I might quit it next season. I can only handle so much ridiculous camp.
- The Vampire Diaries
I was surprised when I heard this was actually good. I figured I didn't like vampires much. I couldn't get through Dracula when I tried to read it and Twilight was obviously dumb. I had been watching True Blood but wasn't sure I liked the vampire part of it. I'm still not sure I like vampires but after actually giving The Vampire Diaries a shot, I realized how awesome it was. I realized, and explained to friends I recommended the show to, that the diaries in question weren't really the angsty journals kept by the leads but, to me, were the old journals kept by folks like Johnathan Gilbert during the Civil War era about the vampires plaguing the town. The mythology of the show is great and never has a group of teenagers been so appealing to me (mostly because I like the adult characters too and they actually do things besides act like grown up teenagers, like the adults on shows like, say, Gossip Girl do). One of my favorite shows on the air, surprisingly. Or not so much - the pacing is also brilliant. So much happens but it never feels like too much.
- V (2009)
Alien invasion! Rebellion resistance! Shouldn't this be more exciting? I tried, and I did get into this show, really liking Hobbes in particular, more than it probably deserved (and began my love affair with Morena Baccarin). I watched it all, and was so glad at the death of Tyler, even though the show was canceled after that point.
- The Walking Dead
I was hesitant to start, but decided to try it over Thanksgiving break anyway. I wasn't sure I'd like a zombie show. The pilot was fucking brilliant, in my opinion. That poor goddamn horse, was all I thought. It hasn't been as good since, though I love crazy Shane and usually like Rick. Lori needs to act. Carl needs to gtfo. They need to get off that farm. But the mid-season finale was strong and I did get a fun zombie-related nightmare after my first night of watching. So it's progressing for me.
- The Weakest Link
Who didn't love Anne Robinson, the wonderfully snippy host of this? I loved her. I watched this pretty frequently when she was on. I was disappointed when there was a new host, but when she was around? My scene, man.
- Whose Line Is It Anyway?
Thank god for ABC Family reruns. This show introduced me to all things improv - my best friend later started an improv club in high school, which I was involved in. I loved it so much and this show made me laugh out loud more than most anything else. And they were all having so much fun, which was the best part. I've seen most, but probably not all, of this show.
- The Wild Thornberrys
Like most of my childhood shows, I saw quite a bit, but I'm not sure how much, of this show. I find Nigel's recent return to relevance hilarious. Tim Curry is my birthday buddy and I love him. It was a weird but fun show.
- The Wire
Ah, The Wire. The brilliant fucking Wire. Once day I will finish you. Until then, I will be stuck at the beginning of season three where Littlefinger appears. Where I am so sad Frank Sobotka could be so dumb. Where I am so depressed that everything always goes wrong. And so pleased that Omar Little exists.
Showing posts with label battlestar galactica. Show all posts
Showing posts with label battlestar galactica. Show all posts
Sunday, January 8, 2012
Friday, October 22, 2010
"Emmy" TV Shows. Not Unlike "Oscar" Movies.
Sorry for the long absence. I'm a busy student/employee/television addict/etc.
But as I catch up on last night's television shows, I started to wonder to myself about "the Academy." See, lots of people complain, whine, and moan over both the Academy that decides the Emmys and the Oscars. The thing is, though, I haven't seen many people spend all year discussing the Emmys, declaring this show an Emmy show and that show not an Emmy show, whereas even everyday movie-goers will easily be talking about the Oscar chances for The Social Network or Toy Story 3.
At first glance, this might indicate that the selectivity for the Emmys is not so severe as it is for the Oscars. You'd think an Academy that would nominate True Blood might actually have its marbles in a way an Academy that shut out The Dark Knight doesn't. I think though that you'd be wrong. True Blood, for example, has certain things going for it, including an Academy Award-winning main actress, a respected premium cable channel, and a "message" (y'know, how vampire rights in the show parallel modern day LGBT rights).
Don't fool yourself; the Emmys like the same things the Oscars do. Pedigree isn't everything though, as former Academy Award nominees Mary McDonnell and Edward James Olmos will tell you, having worked for years on a never-nominated critically-acclaimed little series called Battlestar Galactica everyone who knows me knows that I adore. It takes a certain class that comes, especially these days, with being on a premium cable network, which is why even though I haven't seen an episode of Boardwalk Empire, I'm convinced it will land several nominations next year. Because it's on HBO, it's classy like Mad Men, and it takes itself seriously.
As I'm sure the Buffy fans have lamented for ages, taking yourself seriously can be a big thing. I feel like one of the more common complaints about Mad Men would be a sort of "stuffiness" about it, coming from its slow, melodious pace and seriously fragmented (and often disliked) characters.
But the comedy category, you declare! Comedic shows are appreciated for irony! Just look at Glee? Though I decry Glee and watch it, such a contradiction as I am, Glee is actually something of an interesting anomaly in my opinion. It's a high school show, it's a musical, its pedigree is really not that impressive (Matthew Morrison and Lea Michele are the main show there - I won't count Jane Lynch, despite loving her more, because an unfortunate amount of not-young people don't realize how much she did pre-Glee). Glee's popularity comes from a more modern High School Musical approach - but you didn't see High School Musical get nominated for Best TV Movie, did you? Despite whatever sucks about Glee, it is kind of impressive for it to have gotten the formal recognition it has.
Besides Glee, however, the comedy area remains pretty locked for sitcoms and serious premium cable comedies (i.e. Weeds, Entourage, Curb Your Enthusiasm). And, to be honest, the only reason Glee might get nominated again next year is because the current freshmen sitcoms are rather slim pickings, so I'd be prepared for a full-on repeat in the comedy series category.
Sitcoms are cute and quaint. They're very old-fashioned. Even Modern Family, which I watch and like and is lauded for its advancement, follows your old-school format of following a family around and seeing all their funny, morally-inclined hi-jinks in a short half hour. If there was a movie equivalent to sitcoms, actually, which there really isn't anymore, I'd be surprised if it got nominated for the Oscars, actually, because that area is even too backwater for them. When people talk about potential Oscar comedies, they think of raucous shit like The Hangover, which is more of a premium cable type show than a typical network sitcom.
But back to the drama category, where this all started for me as I thought longingly of The Vampire Diaries, the shockingly good show I have fallen in love with despite not being a big vampire fan and aware enough of trends to usually not be susceptible without my consent. The Vampire Diaries is a good show, hands down. Interesting characters, good plots, amazing pacing, problems are rectified, everything is reasonable, and as a bonus, the cast is gorgeous (and, so far as I'm aware, come across as respectable and scandal-free). The problems? The show doesn't take itself so seriously. Not in the same way, say, my beloved Chuck does, becoming a little bit too much of a self-parody at times, but there is an air of fun and danger that comes from a show willing to take risks, kill off a main character pretty quickly, and do a lot of things most shows aren't really willing to do. Second, the show doesn't have pedigree. It's highest pedigree right now is probably Ian Somerhalder, best known otherwise for his season-long and small recurring bit as Boone on Lost. Nina Dobrev did Degrassi. Matt Davis might be most recognizable for Legally Blonde. Seriously, this is not your A-list cast. But they're not just pretty, they're good. And, finally, The Vampire Diaries is on The CW. The CW may technically be a network station, but it is essentially trash to the bigwigs. The CW is home of Smallville and Gossip Girl, not a show that's better than Emmy-nominated True Blood (sorry, TB fans, I'm with you, but did you see the third season compared to TVD? Just, no).
Everything that might make a series worthy of Emmy recognition is simply not in this show, which is probably derided by people who've never seen it as part of the Twilight craze, as a teen drama with lots of skimpy clothes and scandal. I'm sorry, but this is neither True Blood nor Gossip Girl; there are few if none unnecessary shenanigans. High school is a setting, not a defining characteristic of the show (especially as of late; Mystic Falls is more the setting anyway, one of the coolest, cult-like towns ever). Skimpy clothes? Are you kidding me? Besides the car wash episode, there have been so few scantily clad moments. I can remember all of one legitimate sex scene in the entirety of this series. There are some sexy flashbacks, but it is nothing compared to the wild orgies of True Blood season 2, or even the least sexy of True Blood episodes. Scandals? I bet there are about five thousand more scandals in a single episode of Desperate Housewives than a full season of The Vampire Diaries. Vampire Diaries is more concerned with drama and action and zigzagging plots and surprises than with the kind of ~drama that fuels shows like Gossip Girl or One Tree Hill or Gilmore Girls (which I loved, but was soapy as hell sometimes).
Essentially, every stigma that The Vampire Diaries would attract is false. But that's true about a lot of shows that would never qualify for an Emmy nomination. There is no "Blind Side" slot in the Emmy nominees. The Emmys are probably even more out of touch with popular culture than the Oscars. Sci-fi has been at the Oscars for ages, from Star Wars to Avatar (more of a crowd-pleaser than it's-all-about-the-analogy District 9). Battlestar Galactica, despite being declared by many as one of the best DRAMA television shows ever, or at least a very good one in general, never got more than a technical nod at the Emmys.
So we bitch and moan and complain a lot about the Oscars, about the Academy Awards being old and how certain great movies will never be Oscar movies, but the Emmys are no better, if they're not even worse, especially since they can repeat old favorites in place of strong up-comers. While movies year after year can emulate and imitate older films, keeping that certain "old Hollywood" or "period movie" place in the Best Picture nominee line-up, Emmys can literally keep the same show in the running, even past its prime (I mean really? House? That show has been good at best, horrendous at worst, and meh most of the time for a couple seasons now).
And yet, few shows are looked at, saying, "this show was made for the Emmys" when one could look at, say, The King's Speech, and declare immediately "it's an Oscar movie!" There isn't a lot different between what makes television and movies appeal for "bigwig" Academies. If anything, audience size and critics matter more for the Oscars - I doubt you'll find many champions of House's last season (praise the mental institute episode all you want, there are over twenty other episodes in the season), but even The Blind Side was well-received by many, though certainly not everyone. House's audience has dwindled (and it was probably the most-watched series nominated for Best Comedy/Drama last year; remember, Glee's audience was pretty modest for most of the first season), but Avatar, District 9, The Blind Side, and Up were huge money-makers.
My point has been made clear by this point. Just like with the Oscars and movies, there will be brilliant shows that will never win an Emmy, that never won an Emmy, and probably were never seen by those who vote on the Emmys. And that's disappointing, sure, but that's life, and tastes change, though slowly, and one day all the types of shows we champion now will be detested by future generations as backwards and unworthy of admiration and we'll be clinging on.
But as I catch up on last night's television shows, I started to wonder to myself about "the Academy." See, lots of people complain, whine, and moan over both the Academy that decides the Emmys and the Oscars. The thing is, though, I haven't seen many people spend all year discussing the Emmys, declaring this show an Emmy show and that show not an Emmy show, whereas even everyday movie-goers will easily be talking about the Oscar chances for The Social Network or Toy Story 3.
At first glance, this might indicate that the selectivity for the Emmys is not so severe as it is for the Oscars. You'd think an Academy that would nominate True Blood might actually have its marbles in a way an Academy that shut out The Dark Knight doesn't. I think though that you'd be wrong. True Blood, for example, has certain things going for it, including an Academy Award-winning main actress, a respected premium cable channel, and a "message" (y'know, how vampire rights in the show parallel modern day LGBT rights).
Don't fool yourself; the Emmys like the same things the Oscars do. Pedigree isn't everything though, as former Academy Award nominees Mary McDonnell and Edward James Olmos will tell you, having worked for years on a never-nominated critically-acclaimed little series called Battlestar Galactica everyone who knows me knows that I adore. It takes a certain class that comes, especially these days, with being on a premium cable network, which is why even though I haven't seen an episode of Boardwalk Empire, I'm convinced it will land several nominations next year. Because it's on HBO, it's classy like Mad Men, and it takes itself seriously.
As I'm sure the Buffy fans have lamented for ages, taking yourself seriously can be a big thing. I feel like one of the more common complaints about Mad Men would be a sort of "stuffiness" about it, coming from its slow, melodious pace and seriously fragmented (and often disliked) characters.
But the comedy category, you declare! Comedic shows are appreciated for irony! Just look at Glee? Though I decry Glee and watch it, such a contradiction as I am, Glee is actually something of an interesting anomaly in my opinion. It's a high school show, it's a musical, its pedigree is really not that impressive (Matthew Morrison and Lea Michele are the main show there - I won't count Jane Lynch, despite loving her more, because an unfortunate amount of not-young people don't realize how much she did pre-Glee). Glee's popularity comes from a more modern High School Musical approach - but you didn't see High School Musical get nominated for Best TV Movie, did you? Despite whatever sucks about Glee, it is kind of impressive for it to have gotten the formal recognition it has.
Besides Glee, however, the comedy area remains pretty locked for sitcoms and serious premium cable comedies (i.e. Weeds, Entourage, Curb Your Enthusiasm). And, to be honest, the only reason Glee might get nominated again next year is because the current freshmen sitcoms are rather slim pickings, so I'd be prepared for a full-on repeat in the comedy series category.
Sitcoms are cute and quaint. They're very old-fashioned. Even Modern Family, which I watch and like and is lauded for its advancement, follows your old-school format of following a family around and seeing all their funny, morally-inclined hi-jinks in a short half hour. If there was a movie equivalent to sitcoms, actually, which there really isn't anymore, I'd be surprised if it got nominated for the Oscars, actually, because that area is even too backwater for them. When people talk about potential Oscar comedies, they think of raucous shit like The Hangover, which is more of a premium cable type show than a typical network sitcom.
But back to the drama category, where this all started for me as I thought longingly of The Vampire Diaries, the shockingly good show I have fallen in love with despite not being a big vampire fan and aware enough of trends to usually not be susceptible without my consent. The Vampire Diaries is a good show, hands down. Interesting characters, good plots, amazing pacing, problems are rectified, everything is reasonable, and as a bonus, the cast is gorgeous (and, so far as I'm aware, come across as respectable and scandal-free). The problems? The show doesn't take itself so seriously. Not in the same way, say, my beloved Chuck does, becoming a little bit too much of a self-parody at times, but there is an air of fun and danger that comes from a show willing to take risks, kill off a main character pretty quickly, and do a lot of things most shows aren't really willing to do. Second, the show doesn't have pedigree. It's highest pedigree right now is probably Ian Somerhalder, best known otherwise for his season-long and small recurring bit as Boone on Lost. Nina Dobrev did Degrassi. Matt Davis might be most recognizable for Legally Blonde. Seriously, this is not your A-list cast. But they're not just pretty, they're good. And, finally, The Vampire Diaries is on The CW. The CW may technically be a network station, but it is essentially trash to the bigwigs. The CW is home of Smallville and Gossip Girl, not a show that's better than Emmy-nominated True Blood (sorry, TB fans, I'm with you, but did you see the third season compared to TVD? Just, no).
Everything that might make a series worthy of Emmy recognition is simply not in this show, which is probably derided by people who've never seen it as part of the Twilight craze, as a teen drama with lots of skimpy clothes and scandal. I'm sorry, but this is neither True Blood nor Gossip Girl; there are few if none unnecessary shenanigans. High school is a setting, not a defining characteristic of the show (especially as of late; Mystic Falls is more the setting anyway, one of the coolest, cult-like towns ever). Skimpy clothes? Are you kidding me? Besides the car wash episode, there have been so few scantily clad moments. I can remember all of one legitimate sex scene in the entirety of this series. There are some sexy flashbacks, but it is nothing compared to the wild orgies of True Blood season 2, or even the least sexy of True Blood episodes. Scandals? I bet there are about five thousand more scandals in a single episode of Desperate Housewives than a full season of The Vampire Diaries. Vampire Diaries is more concerned with drama and action and zigzagging plots and surprises than with the kind of ~drama that fuels shows like Gossip Girl or One Tree Hill or Gilmore Girls (which I loved, but was soapy as hell sometimes).
Essentially, every stigma that The Vampire Diaries would attract is false. But that's true about a lot of shows that would never qualify for an Emmy nomination. There is no "Blind Side" slot in the Emmy nominees. The Emmys are probably even more out of touch with popular culture than the Oscars. Sci-fi has been at the Oscars for ages, from Star Wars to Avatar (more of a crowd-pleaser than it's-all-about-the-analogy District 9). Battlestar Galactica, despite being declared by many as one of the best DRAMA television shows ever, or at least a very good one in general, never got more than a technical nod at the Emmys.
So we bitch and moan and complain a lot about the Oscars, about the Academy Awards being old and how certain great movies will never be Oscar movies, but the Emmys are no better, if they're not even worse, especially since they can repeat old favorites in place of strong up-comers. While movies year after year can emulate and imitate older films, keeping that certain "old Hollywood" or "period movie" place in the Best Picture nominee line-up, Emmys can literally keep the same show in the running, even past its prime (I mean really? House? That show has been good at best, horrendous at worst, and meh most of the time for a couple seasons now).
And yet, few shows are looked at, saying, "this show was made for the Emmys" when one could look at, say, The King's Speech, and declare immediately "it's an Oscar movie!" There isn't a lot different between what makes television and movies appeal for "bigwig" Academies. If anything, audience size and critics matter more for the Oscars - I doubt you'll find many champions of House's last season (praise the mental institute episode all you want, there are over twenty other episodes in the season), but even The Blind Side was well-received by many, though certainly not everyone. House's audience has dwindled (and it was probably the most-watched series nominated for Best Comedy/Drama last year; remember, Glee's audience was pretty modest for most of the first season), but Avatar, District 9, The Blind Side, and Up were huge money-makers.
My point has been made clear by this point. Just like with the Oscars and movies, there will be brilliant shows that will never win an Emmy, that never won an Emmy, and probably were never seen by those who vote on the Emmys. And that's disappointing, sure, but that's life, and tastes change, though slowly, and one day all the types of shows we champion now will be detested by future generations as backwards and unworthy of admiration and we'll be clinging on.
Saturday, June 12, 2010
Worst Episode of Good Shows - COMPETITION TIME
(edited 2:20pm 6/12/2010 - added synopses)
Before wasting sleeping hours rewatching episodes of So You Think You Can Dance (my latest obsession... and my return to actually enjoying reality television that isn't What Not to Wear or on HGTV), I managed to finally watch the much-hated episode of Lost that, in my anticipation, I compared to Battlestar Galactica's "Black Market." Not just for being totally useless as an episode, but also for the negative reaction and the admission of the actual creators that "hey, we made a crap episode." I also mistakenly thought the chick in Lost was also a hooker... but seriously, besides being a psychic tattoo genie or whatevs, she probably is. I mean, look at those clothes. No self-respecting woman would dress like that in dark alleys unless she's trolling for something.
So the verdict? Which sucks more? "Stranger in a Strange Land..."

...or "Black Market"?

First a brief, biased synopsis of both:
"Black Market" - After the success of the awesome Pegasus story arc and Roslin's life being saved, the show decides to kill some time with dear ol' Lee Adama and a random prostitute named Shevon that we're supposed to believe he's been seeing and is seriously into. Colonel Fisk, Cain's successor in commanding Pegasus, is killed and Lee is asked to investigate... why Lee? I'd think this is set up for Lee's ventures into lawyerhood later in the series, but it's a season too early, so it's more like a convenient plot device. Lee finds out that Fisk was involved in a black market that's been happening in the fleet (OH NOES) and then Shevon's daughter gets kidnapped and Lee feels responsible because he's been playing house with the kid and totally creeping her out. Oh and this is the episode where we start to see Dee and Lee flirting together, which makes me hate this episode even more for ruining my darling Billy's life. But anyway, back to the main suck of a plot, Lee goes after the head of the black market, kills him, and tells off the black market, but not entirely, more like "just don't take important stuff... oh and kids, kk?" Roslin gets pissed, but Bill lets Lee's arrangement go ahead. So essentially, NOTHING HAPPENS. We never hear from Shevon again (partially because she's not interested in playing house with Lee and partially because NO ONE CARES), the black market is never mentioned again, the fleet doesn't change at all, and... yeah. Pointless. Then the next episode we watch Starbuck get totally wasted, try to have drunken sex with Lee, and then almost kill herself for the billionth time, until Kat shows us that she doesn't suck as much as she used to.
"Stranger in a Strange Land" - This episode also kicks off after some intensely awesome stuff happening. Last episode was Desmond centric, which was great because Desmond is great, and we learned all about course correction (which, a few years later, FlashForward blatantly rips off in its failed attempt to be the next Lost) and how the universe is trying to kill Charlie. So what does the audience get next week? Zero Desmond, zero Charlie, and a whole lot of Jack, Kate, and Sawyer. Before Kate and Sawyer broke out of their cages, that would have been interesting, but instead we watch Kate and Sawyer bicker and lose Carl and find Carl and Sawyer lets Carl go and there's all this tension about having dead man walking sex and nobody cares because they reach their own island and that's about that. Jack's regular plot isn't so horrible, although the whole time I keep thinking Jack is being totally conned, but I think I was proven wrong, for like the first time ever when it comes to these characters conning each other. But anyway, Jack tries to protect Juliet for killing Danny or whatever his name was when she was letting Kate and Sawyer go. She's supposed to be killed, but he gets Ben to take that option off the table, so Juliet gets marked in a tramp-stamp way instead. Jack applies aloe. Fresh aloe hurts, I can tell you that. Tension is born, but I don't want it (as much as Juliet is growing on me). There's also some random sheriff chick, Isabel, if I remember correctly, who can read Jack's tattoo and all around just acts like a douchebag. The main problem with this episode though, of course, is the flashback. Jack is in Thailand to find himself (...) and starts by flying a kite on the beach (...) when he is helped because he can't fly a kite to save his life by some pretty thing that can speak English and is totally dressed like a hooker (... yeah). Jack and the chick start sexing it up and it appears she comes and goes as she pleases in his bed. They also fall off his bed at some point. Oh man, THAT was exciting. Then Jack drunkenly stalks her like the loser he is and finds out that, though she's dressed like a total hooker and wandering in dark alleys to some secret place and receives huge envelopes of money, she's not a hooker (well, maybe, I'm convinced she still is) - she's a MAGICAL TATTOO-IST. She can see who people are, so Jack acts like a douche and forces her to tell him and tattoo him although he's an outsider. Happy-go-lucky Jack leaves his house the next day, freshly inked, and creeps out some kid and then gets beaten down by the chick's brother and some of his friends. Jack presumably leaves Thailand now, having gotten inked. Whoo. I'll take the not-supernatural tattoos, please.
Well, those weren't that brief, but for being totally pointless, both episodes do eat up roughly forty-five minutes. THE VERDICT?
Honestly, it's a tough call. I was going to say that "Black Market" sucked more until the tattoo genie chick was all "I AM NOT A TATTOO ARTIST - I SEE THINGS IN PEOPLE." But it's tough, because I'm still really down on "Black Market" for its stupid retcon with Shevon the prostitute and her daughter, Lee's surrogate daughter for the one that exploded in his (OUT OF LEFT FIELD) pregnant girlfriend before she was born that Lee left before the apocalypse in the Twelve Colonies.
I also give favoritism to Battlestar Galactica for being a show I like more. No offense, Lost, but you move at a snail's pace at best. By the middle of the third season, Battlestar Galactica's characters had all frakked each other, made war and nice and war again with the Cylons, and had tackled issues of genocide, survival, abortion, crazy religion versus politics, religion in general, suicide bombings, forced occupation, and biological warfare. Lost has... coined some cool catchphrases, killed off a lot more central characters, and toyed with maybe two or three of those topics. Seriously, Emmys, can I hate on you times a zillion for ignoring Battlestar Galactica for, like, six years? And yet, giving the prize to Lost which, although being a great show in its own right, is still no BSG. There is no show like BSG.
Ahem. But we're comparing these episodes against one another, not the shows against one another. So I think I still might have to go with "Black Market" sucking more. Because, although Jack's flashbacks totally bite and the Sawyer and Kate plotline is just infuriating as per usual with them (and Kate lately has been pissing me off even more than usual), Jack's current day plot wasn't made of total suck (just partial suck). I mean, at least "Stranger in a Strange Land" fits within its narrative better. The question of Jack's tattoos is one that nobody cares about, sure, but nobody even asked "huh, I wonder how Lee's prostitute surrogate girlfriend and her daughter are doing?" BECAUSE THEY NEVER EVEN EXISTED BEFORE OR AFTER. Jack's tattoos at least will always be there. So now if anybody asks about them, we have the boring lengthy answer of that useless episode. But "Black Market" isn't just a useless episode but a horrible episode that disgraces everything that Battlestar Galactica is. Despite the occasional melodramatic bits of the show, it's usually pretty grounded (luls, har har, see how it's funny - it's because it's set in SPACE most of the time).
I do much more appreciate the controlled flashbacks of Battlestar Galactica, that held onto them mostly until the finale (save a bit of Kara flashback to Zak and ignoring the preggers!gf flashbacks of ten seconds Lee has in "Black Market" ...oh and the Final Five's memories on Earth) and just offered a couple character-defining moments that were really some of the most beautiful, sad, and touching moments in an otherwise action-packed and ending-packed finale. Lost, for being innovative in its use of flashbacks, also tends to overuse them on some characters (particularly Jack and Kate, but most characters really don't need like ten centric episodes. NOBODY is that interesting. Even Eko, for being fucking awesome and wicked interesting always only needed the three episodes he got). I long for the episodes where nobody gets a flashback and we can all live in the present because I am BORED with their pasts. I get it. Kate and Sawyer are criminals with hearts of gold. Jack had daddy issues. Charlie had drug issues. Locke had major daddy issues. Hurley was fat and crazy and is still fat and may still be crazy. I honestly don't care that much because that means half of the time the plot isn't moving forward, which is frustrating because already so much that is set in the present plotline isn't moving anything forward.
But this post wasn't supposed to be about Lost's shortcomings (though I could go on for quite some time with both praise and critique) - it is about the competition of bad episode against bad episode. And in that competition, "Black Market" takes the rotten tomato, mostly because of its horrible retcon in combination with the other bad elements that it shares with "Stranger in a Strange Land."
As my darling Television Without Pity ends their brief description of "Black Market" -

"Roslin is displeased with everyone and everything. She is right."
...and goodnight.
PS: I got McDonalds - TWICE, actually - and that commercial still won't leave me the fuck alone while I'm watching Lost on hulu.com, no matter how many times I say that the ad is not relevant to me. It is one of the few ads, if not the only, I have said that about. I AM MAD AT YOU, HULU.
Before wasting sleeping hours rewatching episodes of So You Think You Can Dance (my latest obsession... and my return to actually enjoying reality television that isn't What Not to Wear or on HGTV), I managed to finally watch the much-hated episode of Lost that, in my anticipation, I compared to Battlestar Galactica's "Black Market." Not just for being totally useless as an episode, but also for the negative reaction and the admission of the actual creators that "hey, we made a crap episode." I also mistakenly thought the chick in Lost was also a hooker... but seriously, besides being a psychic tattoo genie or whatevs, she probably is. I mean, look at those clothes. No self-respecting woman would dress like that in dark alleys unless she's trolling for something.
So the verdict? Which sucks more? "Stranger in a Strange Land..."

...or "Black Market"?

First a brief, biased synopsis of both:
"Black Market" - After the success of the awesome Pegasus story arc and Roslin's life being saved, the show decides to kill some time with dear ol' Lee Adama and a random prostitute named Shevon that we're supposed to believe he's been seeing and is seriously into. Colonel Fisk, Cain's successor in commanding Pegasus, is killed and Lee is asked to investigate... why Lee? I'd think this is set up for Lee's ventures into lawyerhood later in the series, but it's a season too early, so it's more like a convenient plot device. Lee finds out that Fisk was involved in a black market that's been happening in the fleet (OH NOES) and then Shevon's daughter gets kidnapped and Lee feels responsible because he's been playing house with the kid and totally creeping her out. Oh and this is the episode where we start to see Dee and Lee flirting together, which makes me hate this episode even more for ruining my darling Billy's life. But anyway, back to the main suck of a plot, Lee goes after the head of the black market, kills him, and tells off the black market, but not entirely, more like "just don't take important stuff... oh and kids, kk?" Roslin gets pissed, but Bill lets Lee's arrangement go ahead. So essentially, NOTHING HAPPENS. We never hear from Shevon again (partially because she's not interested in playing house with Lee and partially because NO ONE CARES), the black market is never mentioned again, the fleet doesn't change at all, and... yeah. Pointless. Then the next episode we watch Starbuck get totally wasted, try to have drunken sex with Lee, and then almost kill herself for the billionth time, until Kat shows us that she doesn't suck as much as she used to.
"Stranger in a Strange Land" - This episode also kicks off after some intensely awesome stuff happening. Last episode was Desmond centric, which was great because Desmond is great, and we learned all about course correction (which, a few years later, FlashForward blatantly rips off in its failed attempt to be the next Lost) and how the universe is trying to kill Charlie. So what does the audience get next week? Zero Desmond, zero Charlie, and a whole lot of Jack, Kate, and Sawyer. Before Kate and Sawyer broke out of their cages, that would have been interesting, but instead we watch Kate and Sawyer bicker and lose Carl and find Carl and Sawyer lets Carl go and there's all this tension about having dead man walking sex and nobody cares because they reach their own island and that's about that. Jack's regular plot isn't so horrible, although the whole time I keep thinking Jack is being totally conned, but I think I was proven wrong, for like the first time ever when it comes to these characters conning each other. But anyway, Jack tries to protect Juliet for killing Danny or whatever his name was when she was letting Kate and Sawyer go. She's supposed to be killed, but he gets Ben to take that option off the table, so Juliet gets marked in a tramp-stamp way instead. Jack applies aloe. Fresh aloe hurts, I can tell you that. Tension is born, but I don't want it (as much as Juliet is growing on me). There's also some random sheriff chick, Isabel, if I remember correctly, who can read Jack's tattoo and all around just acts like a douchebag. The main problem with this episode though, of course, is the flashback. Jack is in Thailand to find himself (...) and starts by flying a kite on the beach (...) when he is helped because he can't fly a kite to save his life by some pretty thing that can speak English and is totally dressed like a hooker (... yeah). Jack and the chick start sexing it up and it appears she comes and goes as she pleases in his bed. They also fall off his bed at some point. Oh man, THAT was exciting. Then Jack drunkenly stalks her like the loser he is and finds out that, though she's dressed like a total hooker and wandering in dark alleys to some secret place and receives huge envelopes of money, she's not a hooker (well, maybe, I'm convinced she still is) - she's a MAGICAL TATTOO-IST. She can see who people are, so Jack acts like a douche and forces her to tell him and tattoo him although he's an outsider. Happy-go-lucky Jack leaves his house the next day, freshly inked, and creeps out some kid and then gets beaten down by the chick's brother and some of his friends. Jack presumably leaves Thailand now, having gotten inked. Whoo. I'll take the not-supernatural tattoos, please.
Well, those weren't that brief, but for being totally pointless, both episodes do eat up roughly forty-five minutes. THE VERDICT?
Honestly, it's a tough call. I was going to say that "Black Market" sucked more until the tattoo genie chick was all "I AM NOT A TATTOO ARTIST - I SEE THINGS IN PEOPLE." But it's tough, because I'm still really down on "Black Market" for its stupid retcon with Shevon the prostitute and her daughter, Lee's surrogate daughter for the one that exploded in his (OUT OF LEFT FIELD) pregnant girlfriend before she was born that Lee left before the apocalypse in the Twelve Colonies.
I also give favoritism to Battlestar Galactica for being a show I like more. No offense, Lost, but you move at a snail's pace at best. By the middle of the third season, Battlestar Galactica's characters had all frakked each other, made war and nice and war again with the Cylons, and had tackled issues of genocide, survival, abortion, crazy religion versus politics, religion in general, suicide bombings, forced occupation, and biological warfare. Lost has... coined some cool catchphrases, killed off a lot more central characters, and toyed with maybe two or three of those topics. Seriously, Emmys, can I hate on you times a zillion for ignoring Battlestar Galactica for, like, six years? And yet, giving the prize to Lost which, although being a great show in its own right, is still no BSG. There is no show like BSG.
Ahem. But we're comparing these episodes against one another, not the shows against one another. So I think I still might have to go with "Black Market" sucking more. Because, although Jack's flashbacks totally bite and the Sawyer and Kate plotline is just infuriating as per usual with them (and Kate lately has been pissing me off even more than usual), Jack's current day plot wasn't made of total suck (just partial suck). I mean, at least "Stranger in a Strange Land" fits within its narrative better. The question of Jack's tattoos is one that nobody cares about, sure, but nobody even asked "huh, I wonder how Lee's prostitute surrogate girlfriend and her daughter are doing?" BECAUSE THEY NEVER EVEN EXISTED BEFORE OR AFTER. Jack's tattoos at least will always be there. So now if anybody asks about them, we have the boring lengthy answer of that useless episode. But "Black Market" isn't just a useless episode but a horrible episode that disgraces everything that Battlestar Galactica is. Despite the occasional melodramatic bits of the show, it's usually pretty grounded (luls, har har, see how it's funny - it's because it's set in SPACE most of the time).
I do much more appreciate the controlled flashbacks of Battlestar Galactica, that held onto them mostly until the finale (save a bit of Kara flashback to Zak and ignoring the preggers!gf flashbacks of ten seconds Lee has in "Black Market" ...oh and the Final Five's memories on Earth) and just offered a couple character-defining moments that were really some of the most beautiful, sad, and touching moments in an otherwise action-packed and ending-packed finale. Lost, for being innovative in its use of flashbacks, also tends to overuse them on some characters (particularly Jack and Kate, but most characters really don't need like ten centric episodes. NOBODY is that interesting. Even Eko, for being fucking awesome and wicked interesting always only needed the three episodes he got). I long for the episodes where nobody gets a flashback and we can all live in the present because I am BORED with their pasts. I get it. Kate and Sawyer are criminals with hearts of gold. Jack had daddy issues. Charlie had drug issues. Locke had major daddy issues. Hurley was fat and crazy and is still fat and may still be crazy. I honestly don't care that much because that means half of the time the plot isn't moving forward, which is frustrating because already so much that is set in the present plotline isn't moving anything forward.
But this post wasn't supposed to be about Lost's shortcomings (though I could go on for quite some time with both praise and critique) - it is about the competition of bad episode against bad episode. And in that competition, "Black Market" takes the rotten tomato, mostly because of its horrible retcon in combination with the other bad elements that it shares with "Stranger in a Strange Land."
As my darling Television Without Pity ends their brief description of "Black Market" -

"Roslin is displeased with everyone and everything. She is right."
...and goodnight.
PS: I got McDonalds - TWICE, actually - and that commercial still won't leave me the fuck alone while I'm watching Lost on hulu.com, no matter how many times I say that the ad is not relevant to me. It is one of the few ads, if not the only, I have said that about. I AM MAD AT YOU, HULU.
Labels:
bad episode,
battlestar galactica,
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crap,
jamie bamber,
Lost,
matthew fox,
rant-o-mania,
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television,
wtf?
Tuesday, June 1, 2010
Lost.

Yep. That's right. I decided to finally jump on the wagon.
Granted, this isn't a big surprise. I'd been meaning to watch the show since forever, but then I heard about the polar bears and was all "nah, brah, I ain't touching that shit." I vaguely remember the whole Lost versus Heroes thing too and I was all sticking with Heroes.
Ha. Smart choice.
Anyway, so with the series finale the following day, I kicked off watching Lost (because hulu put up the entire freakin' series) last Saturday (not the recent one; the one before).
I am this far:

Yeah... that episode was kinda totally dull. I actually managed to get some reading done during it (been alternating between Lost and reading today and then realized Glee was on and also got majorly distracted by doing other things like dinner and... yeah).
So my analysis thus far is that I miss Ian Somerhalder's pretty face. Oh, right, the series. It's... interesting. So freakin' slow, though. I mean, people say Mad Men is slow, but at least they're all dressed nicely and the seasons are shorter. I mean, seriously.
Look how dapper they are:

And then...

Good thing it's a sexy cast. I mean, Matthew Fox's sexiness is the only thing that has gotten me to forgive him for being mostly dull and having the second stupidest flashbacks (the winner is Kate, of course). I mean, if Matthew Fox weren't so hot, I'd still want to kill Jack. I am not looking forward to the infamous episode about his tattoos. I feel like it'll be Black Market from Battlestar Galactica all over again. I mean, it's already got a similar plot of some random hooker coming into the life of our attractive male lead and being totally unimportant to the plot at all. And being a suck episode.
Hmm, now I am having difficulty choosing whether I think Matthew Fox or Jamie Bamber is sexier. Choices, choices... sheesh, they both have such nice arms... well, if we go with first/second season (pre-fat!Lee) Lee, I'm giving it to Jamie Bamber. Fat!Lee and Politician!Lee were distinctly unhot. But I blame that on the suits covering up his arms.


What a difference.
But anyway, back on topic...
So one of my twitter updates about Lost partway through the first season was all "HOOK UP LOSTAWAYS GODDAMMIT ALREADY" 'cause I was sick of all the "couples" that weren't coupling off. Jack/Kate, Kate/Sawyer, Claire/Charlie (before he started to suck so much and went all baby-napper and shit), Shannon/Sayid, Anybody/Anybody. Luckily, Sayid being the most awesome ever decided to make good on his flirtations, even if it was with the annoying Shannon. But they're both pretty, so it's okay. Mostly Naveen Andrews is really pretty. He's my favorite to look at since Boone's gone.

Mmmm. At least I get Ian Somerhalder in The Vampire Diaries, although he is far less sweat-sodden and more leather-jacket-y. More interesting too, though. Swoon, Ian Somerhalder. I named my camera after you, I hope you know. Well, actually, I hope you don't. I'm terrified to ever meet you now that I've named an object after you. I should've kept up the tradition of naming my electronics after fictional characters instead of legit people. Too late; Ian's got a nametag and everything.
So Lost is slow, I mentioned earlier. And though the flashbacks are cool and interesting, sometimes they are just dull. Like Hurley's flashbacks to his friend "Dave" in this latest episode. And sometimes they are Kate's flashbacks and almost immediately dull. It's like the hooker with a heart of gold concept is less fresh than the criminal with a heart of gold. The accidental criminal. Gawd, it's like the disappointment felt in Gossip Girl when Serena's dramatic "I KILLED SOMEONE" turned out to be more like "I WAS AROUND SOMEONE WHO DIED FROM DRUGS AND I CALLED 911 BUT IT DIDN'T SAVE HIM." God, Serena, you just suck so much.

(I know, Blair. I'm so disappointed by Serena's story too. You are far more interesting without "killing" anyone.)
But yeah, I think you all can tell by now that I have no interest in Kate whatsoever. Until she hooks up with Jack. Much as I like Sawyer, he is too interesting for Kate, whereas Jack is perfect: He has a compulsive need to fix people and Kate has a compulsive need to fuck herself up. They're a perfect match!
As annoying as Charlie has gotten lately, I've generally enjoyed his flashbacks (save the one with the rich daughter and the puking in the copying machine). But his actually make him out to be a more interesting person, in my books. It also might be my Dominic Monaghan bias; he was the reason I had originally wanted to watch the show (and then I heard he died and totally just gave up ever watching until recently).
Also, he's had a couple badass moments recently since he gave up trying to be a decent human being for Claire. Like totally faking out Ana Lucia and throwing one to the awesomest Sayid.

(Yeah, Charlie, that was BAMF.)
Ana Lucia is also annoying. Which sucks because Michelle Rodriguez is such a badass, but Ana Lucia is not really a badass, more just of an ass. I hope she gets looser in the time to come because I am sick of seeing her so tightly wound. I do like that though she wears the exact same tank top and jeans, she looks way better in them than any of the Lostaways do when they try to change things up (no matter what, Kate, you still look grody as hell).
So I'm giving Lost a chance. The first season hooked me like crazy, but this second season has been a lot slower. Of course, there are four more seasons after this one in which I'm sure I will be all pissy and annoyed and waiting for answers goddammit, and from what I hear, the finale doesn't give em all away. At least Battlestar Galactica gave nearly everything an answer (and dudes, even though nobody says it, I'm pretty sure enough anvils were dropped in the last season to tell us that Starbuck's an angel or whatever, so stop complaining about that one) even if some were arguably stupid answers (I personally liked the finale). But whatever. If I want fast-paced, I'll look to The Vampire Diaries or Chuck or, hell, True Blood moves pretty fast too, I'd say.
Well, Lost has got to be more fast-paced than How I Met Your Mother at least. Five seasons and we still haven't met the mother (save her ankle, that is).
So essentially, I like it thus far. Mr. Eko and Sayid are probs my faves at the moment, though I generally like Sawyer, Locke, and Michael too. Miss Michael right now. I hope he gets back soon. D: (DON'T TELL ME ANYTHING. I already know like half a dozen characters' imminent deaths.) Jack is growing on me. I'm torn about Locke. And Ben (though he hasn't been revealed as Ben yet) is thus far intriguing.
Anyway, must run. I'd watch more tonight, but it's already wicked late and I meant to be reading. Peace out. I'm sure I'll be obnoxious with another picture-heavy post soon.
PS: I'm bored by the movie fare recently, hence my focus on television. I mean, seriously, I don't care about anything until Toy Story 3 in two weeks and change.
Sunday, October 11, 2009
Television Shows I Will One Day (Re)Watch ... + Bright Star
Rewatch:
- Battlestar Galactica (again; seen two times through, but will never get tired of... or have the time again...)
- Cowboy Bebop (I've seen it many times, but it's been years and recently I've been recalling just how truly amazing it is)
- True Blood (maybe I'll skim some of the first season, but I'd like to revisit it)
- Heroes (...first season. I saw it many times, but that was before the subsequent seasons were so bad)
- Glee (once the first season ends, I look forward to revisiting it and loving every moment)
- Chuck (...it's so good and I miss it so much. DON'T KILL ME; I never saw the season 1 finale)
Watch:
- Lost (when it finishes)
- Breaking Bad (...I'll start it eventually)
- Upstairs, Downstairs (I loved Gosford Park; this seems appropriate)
- My So-Called Life
- Freaks and Geeks
So mostly, I wrote this post because I really, really, really want to rewatch Cowboy Bebop. And Battlestar Galactica (but I always want to be watching BSG; I hope there is a parallel universe somewhere where all I do is watch BSG). But mostly, recently, particularly because I am (or rather, should be) writing a paper on Yoko Kanno, frontwoman of The Seatbelts, responsible for the brilliant soundtrack to the only anime I've ever given the time of day to. Cowboy Bebop was my favourite TV series prior to discovering Battlestar Galactica (yeah, I like me some space settings), and sometimes I forget why. Not because it's not brilliant, but because I haven't touched it in so long. I want so badly to have the thirteen (fifteen including the movie) hours necessary to just watch the whole thing. Stupid frakking homework.
On a brighter (no pun intended) note, I saw Bright Star earlier this afternoon. My mother (rightfully) thought it was slow, but I enjoyed the pace of the movie. It didn't feel slow to me because it didn't drag and the pace was steady; no rushing thither and hither (something that pissed me off about Becoming Jane was its sort-of-ending where the back-and-forth just contrasted far too much with the rest of the movie and was just blegh... but there are other reasons I don't like Becoming Jane that much that I won't get into here). Anyway, not only did I fall head-over-heels in love with the GORGEOUS Ben Whishaw, but I also loved Abbie Cornish's performance (as many have already noted in the critical world, but I don't have the bonus of advanced screenings and a career devoted to the habits that I have to find time to indulge). She was a real treat, as was the whole movie. I normally don't like historical/period romances very much. Atonement bothered me, Becoming Jane was annoying, the only ones I really tend to like are Jane Austen adaptations (Sense and Sensibility and Pride and Prejudice were both delightful, in my opinion). But I really did enjoy watching Bright Star and only felt about two ounces of guilty over it (but I blame that on my torn eye between the buzzed-about Abbie Cornish and the beautifulbeautifulbeautiful Ben Whishaw). And even if the movie wasn't a spectacular sensation, the delicacy of it and how well put together it was reflects very strongly on Jane Campion, who directed the film extremely well. No wonder she's one of the only three women to ever be nominated for an Academy Award for Best Director. And as Lina Wertmuller made Swept Away (comment on the politics all you want, that is one effed-up movie) and Sofia Coppola disgraced The Godfather, Part III (thank god she's a better writer/director than actress), I think she's probably my favourite of the small club. I know it's a tough season alongside James Cameron, Jason Reitman, Clint Eastwood, Peter Jackson, and even another woman (thank goodness!) Kathryn Bigelow, but I really admired Jane Campion's work in the direction of Bright Star. I just wonder to myself how long until someone updates Wikipedia with a listing of fact vs. fiction for the film (I know next to nothing about John Keats so I wouldn't know myself).
Anyway, that's all I've got to say for now. Might see Zombieland before the long weekend's out, but I wouldn't count on it. But Friday = Where the Wild Things Are! Please let it be amazing!
- Battlestar Galactica (again; seen two times through, but will never get tired of... or have the time again...)
- Cowboy Bebop (I've seen it many times, but it's been years and recently I've been recalling just how truly amazing it is)
- True Blood (maybe I'll skim some of the first season, but I'd like to revisit it)
- Heroes (...first season. I saw it many times, but that was before the subsequent seasons were so bad)
- Glee (once the first season ends, I look forward to revisiting it and loving every moment)
- Chuck (...it's so good and I miss it so much. DON'T KILL ME; I never saw the season 1 finale)
Watch:
- Lost (when it finishes)
- Breaking Bad (...I'll start it eventually)
- Upstairs, Downstairs (I loved Gosford Park; this seems appropriate)
- My So-Called Life
- Freaks and Geeks
So mostly, I wrote this post because I really, really, really want to rewatch Cowboy Bebop. And Battlestar Galactica (but I always want to be watching BSG; I hope there is a parallel universe somewhere where all I do is watch BSG). But mostly, recently, particularly because I am (or rather, should be) writing a paper on Yoko Kanno, frontwoman of The Seatbelts, responsible for the brilliant soundtrack to the only anime I've ever given the time of day to. Cowboy Bebop was my favourite TV series prior to discovering Battlestar Galactica (yeah, I like me some space settings), and sometimes I forget why. Not because it's not brilliant, but because I haven't touched it in so long. I want so badly to have the thirteen (fifteen including the movie) hours necessary to just watch the whole thing. Stupid frakking homework.
On a brighter (no pun intended) note, I saw Bright Star earlier this afternoon. My mother (rightfully) thought it was slow, but I enjoyed the pace of the movie. It didn't feel slow to me because it didn't drag and the pace was steady; no rushing thither and hither (something that pissed me off about Becoming Jane was its sort-of-ending where the back-and-forth just contrasted far too much with the rest of the movie and was just blegh... but there are other reasons I don't like Becoming Jane that much that I won't get into here). Anyway, not only did I fall head-over-heels in love with the GORGEOUS Ben Whishaw, but I also loved Abbie Cornish's performance (as many have already noted in the critical world, but I don't have the bonus of advanced screenings and a career devoted to the habits that I have to find time to indulge). She was a real treat, as was the whole movie. I normally don't like historical/period romances very much. Atonement bothered me, Becoming Jane was annoying, the only ones I really tend to like are Jane Austen adaptations (Sense and Sensibility and Pride and Prejudice were both delightful, in my opinion). But I really did enjoy watching Bright Star and only felt about two ounces of guilty over it (but I blame that on my torn eye between the buzzed-about Abbie Cornish and the beautifulbeautifulbeautiful Ben Whishaw). And even if the movie wasn't a spectacular sensation, the delicacy of it and how well put together it was reflects very strongly on Jane Campion, who directed the film extremely well. No wonder she's one of the only three women to ever be nominated for an Academy Award for Best Director. And as Lina Wertmuller made Swept Away (comment on the politics all you want, that is one effed-up movie) and Sofia Coppola disgraced The Godfather, Part III (thank god she's a better writer/director than actress), I think she's probably my favourite of the small club. I know it's a tough season alongside James Cameron, Jason Reitman, Clint Eastwood, Peter Jackson, and even another woman (thank goodness!) Kathryn Bigelow, but I really admired Jane Campion's work in the direction of Bright Star. I just wonder to myself how long until someone updates Wikipedia with a listing of fact vs. fiction for the film (I know next to nothing about John Keats so I wouldn't know myself).
Anyway, that's all I've got to say for now. Might see Zombieland before the long weekend's out, but I wouldn't count on it. But Friday = Where the Wild Things Are! Please let it be amazing!
Monday, September 21, 2009
A Plethora of TV, Movies, and Such.
My major apologies for neglecting this blog so greatly over the past few weeks. Unfortunately, school has eaten my time and soul. That, and I picked up watching Dexter once I started school and am currently two seasons in.
Let's see, so much has changed since I last updated this blog and I will ramble onto numerous points here and there until I find that I have written something adequately updating in my movie/television/entertainment life.
Mind you, spoilers are for the following in case you're behind me: up to last night's Mad Men, up through season 2 of Dexter, up to always of Battlestar Galactica, up to the Emmys (which, if you haven't watched, you probably won't), and maybe a few other things. Just beware as you read.
First and freshest in my mind is, of course, last night's Primetime Emmy Awards. Neil Patrick Harris is fabulous and there is no doubt about that and I am quite saddened to know that he lost his Supporting Actor in a Comedy award that I believe he so deserved (granted, I don't think I watch any of the other nominated shows aside from How I Met Your Mother, which returns tonight), but he was a fantastic host. I tweeted during the whole thing (and got murderous glares from my one friend who said I spammed her twitter feed... I honestly didn't tweet THAT much... >.>), but mostly about NPH and BSG.
Yes, my darling Battlestar Galactica, which was so wrongly deprived of the Emmy love it dearly deserved. Season 4 is not the best season for Battlestar Galactica (tbh, every season is SPECTACULAR and none of the seasons are without blemish, but I'd say the season with the best track record is probably Season 2 with a) the Kobol plot at the beginning of the season, b) the Pegasus plot with Michelle Forbes' fabulosity and one of the most human Baltar moments when he visits with poor battered Gina, and c) The stunning ending to the season with that tense election and amazing time jump. Unfortunately, season 2 also has the Apollo/Dee nonsense and poor Billy's demise). BUT Season 4 features two of the absolute BEST episodes Battlestar Galactica has produced: The Oath and Blood on the Scales. Those episodes are BEYOND stunning for so many reasons. Although the Battlestar Galactica mythology is great and interesting, it occasionally gets bogged down, especially toward the end with the Final Five and Earth and all, but those two episodes were among the most human and realistic episodes BSG has ever produced. The building tension of the first episode that leaks into the second of the two-parter is beautiful, and it's just this wonderful return to form with the old characters we know and love (hooray Starbuck kicking ass rather than having an identity crisis!). I know that it would have made no difference for BSG to have those two episodes as its featured rather than the concluding episodes Daybreak, but I honestly think that those are the strongest episodes of season 4.5 and among the strongest of the entire series.
Backing away from poor Battlestar Galactica's final Emmy snub (and skirting around the Chuck snub entirely), let me focus on the positivity. About a year ago, the only television I habitually watched was Heroes. I had watched Gilmore Girls when it was on and I made a semi-effort to watch Mad Men, Chuck, and House, but I didn't give a shit about television much at all. So this is the first time I really gave a hoot about the Emmys (albeit a very small hoot; I still only watch maybe ten television series). I normally love awards shows but heard that the Emmys were usually boring (which, despite NPH's best efforts, it still was in many ways). But it was still a truly fun affair for me even as a not heavy television viewer, as someone who knew probably two thirds of the winners by name and the only television show that won anything that I actually watch is Mad Men. So good work to you, NPH. Hats off to the entertaining night (and to the fun liveblog I participated in at EW.com).
Speaking of Mad Men, this new season has been the typical Mad Men slowness. I understand why a lot of people I know can't fully get into the show (even I'm not fully into it although I think it's generally spectacular and stunning), but I just watched last night's episode and I thought it was definitely good. There's nothing more unlike Mad Men than some guy getting run over by a tractor. I'm sorry, but blood on Mad Men just doesn't happen. It is not a violent show and that part of the episode really shook things up for me, which I loved. Also great this season is Sal (although he's been lacking a bit since the premiere, aside from his dance for Kitty), Peggy's bits here and there, Duck's sweater he appeared in last week, Joan as always, and Sally Draper. That little girl is amazing and while before the home life of Don Draper tended to bore me a bit, Sally has me loving every moment we get to see of the kids these days. They're no longer little walking, breathing props, but they are real people, which I love.
A show that is bloody, on the other hand, is (shock of all shocks) Dexter, which I have grown to really like over the two seasons I've seen so far. Of course, identity crises for serial killers are not my favourite thing (hello Sylar's bazillionth on Heroes), but aside from that, I like the show plenty. I also like the supporting cast quite a bit as well and I'm really sad to see Doakes go at the end of the second season. He was great to watch. Although I've heard the third season isn't so great, I'm still looking forward to watching it (planning on watching the season premiere once I finish this as I am currently stumped on my homework). SO glad Lila's gone. She pissed me the fuck off. For all her annoying, Rita is much preferable.
Movies... movies... well I finally saw Coraline, which was good, watched Fargo (yeah I'm behind on the times a bit, don't judge me), and saw both Inglorious Basterds and District 9 in theatres before I went back to school. Both were awesome for their various reasons. Loved the unabashed slaughter and Tarantino-ness of Inglorious Basterds, loved the originality (I know, my friend laughed at me for using the word "original" to describe a movie these days, but I truly think there is something very distinctively fresh about District 9) of District 9, loved both movies for being just so very good end of summer movies without sacrificing quality plot and script for fascinating visuals and big bangs (although both had both).
Although I haven't seen all the big name Oscar watch fall movies because, well, they're mostly not out yet (and I am busy and deprived of a movie theatre and strapped for cash), I am massively excited about a lot of them. I've been hearing great things about Up in the Air, and I'd love to see The Informant! and I've been excited about Where The Wild Things Are and Precious for a while. I love Clive Owen, especially when he's in actually good roles, so I'm also anticipating The Boys Are Back. I'm worried that The Road won't be nearly as good as the book (I just can't see it operating as well as a movie than how it is as a book), but I do love me some Viggo Mortensen and I did love the book, so I'm cautiously excited for its release. And of course, speaking of book adaptations, I am beyond beyond excited for The Lovely Bones. That preview is stunning and Saoirse Ronan is wonderful, so I am really looking forward to that movie's release as well.
Heroes, House, and How I Met Your Mother all return tonight, Gossip Girl's second episode of the season will be on, and there will be an interesting battle to see which one will be watched in the TV room. But whatever it is, I want to see all of them, so I will be satisfied.
Oh and I'm watching FlashForward when it starts Thursday. Love me some Joseph Fiennes, hope the show is actually good, and will see you again sometime in the future! I think my update has run quite a bit long here.
Let's see, so much has changed since I last updated this blog and I will ramble onto numerous points here and there until I find that I have written something adequately updating in my movie/television/entertainment life.
Mind you, spoilers are for the following in case you're behind me: up to last night's Mad Men, up through season 2 of Dexter, up to always of Battlestar Galactica, up to the Emmys (which, if you haven't watched, you probably won't), and maybe a few other things. Just beware as you read.
First and freshest in my mind is, of course, last night's Primetime Emmy Awards. Neil Patrick Harris is fabulous and there is no doubt about that and I am quite saddened to know that he lost his Supporting Actor in a Comedy award that I believe he so deserved (granted, I don't think I watch any of the other nominated shows aside from How I Met Your Mother, which returns tonight), but he was a fantastic host. I tweeted during the whole thing (and got murderous glares from my one friend who said I spammed her twitter feed... I honestly didn't tweet THAT much... >.>), but mostly about NPH and BSG.
Yes, my darling Battlestar Galactica, which was so wrongly deprived of the Emmy love it dearly deserved. Season 4 is not the best season for Battlestar Galactica (tbh, every season is SPECTACULAR and none of the seasons are without blemish, but I'd say the season with the best track record is probably Season 2 with a) the Kobol plot at the beginning of the season, b) the Pegasus plot with Michelle Forbes' fabulosity and one of the most human Baltar moments when he visits with poor battered Gina, and c) The stunning ending to the season with that tense election and amazing time jump. Unfortunately, season 2 also has the Apollo/Dee nonsense and poor Billy's demise). BUT Season 4 features two of the absolute BEST episodes Battlestar Galactica has produced: The Oath and Blood on the Scales. Those episodes are BEYOND stunning for so many reasons. Although the Battlestar Galactica mythology is great and interesting, it occasionally gets bogged down, especially toward the end with the Final Five and Earth and all, but those two episodes were among the most human and realistic episodes BSG has ever produced. The building tension of the first episode that leaks into the second of the two-parter is beautiful, and it's just this wonderful return to form with the old characters we know and love (hooray Starbuck kicking ass rather than having an identity crisis!). I know that it would have made no difference for BSG to have those two episodes as its featured rather than the concluding episodes Daybreak, but I honestly think that those are the strongest episodes of season 4.5 and among the strongest of the entire series.
Backing away from poor Battlestar Galactica's final Emmy snub (and skirting around the Chuck snub entirely), let me focus on the positivity. About a year ago, the only television I habitually watched was Heroes. I had watched Gilmore Girls when it was on and I made a semi-effort to watch Mad Men, Chuck, and House, but I didn't give a shit about television much at all. So this is the first time I really gave a hoot about the Emmys (albeit a very small hoot; I still only watch maybe ten television series). I normally love awards shows but heard that the Emmys were usually boring (which, despite NPH's best efforts, it still was in many ways). But it was still a truly fun affair for me even as a not heavy television viewer, as someone who knew probably two thirds of the winners by name and the only television show that won anything that I actually watch is Mad Men. So good work to you, NPH. Hats off to the entertaining night (and to the fun liveblog I participated in at EW.com).
Speaking of Mad Men, this new season has been the typical Mad Men slowness. I understand why a lot of people I know can't fully get into the show (even I'm not fully into it although I think it's generally spectacular and stunning), but I just watched last night's episode and I thought it was definitely good. There's nothing more unlike Mad Men than some guy getting run over by a tractor. I'm sorry, but blood on Mad Men just doesn't happen. It is not a violent show and that part of the episode really shook things up for me, which I loved. Also great this season is Sal (although he's been lacking a bit since the premiere, aside from his dance for Kitty), Peggy's bits here and there, Duck's sweater he appeared in last week, Joan as always, and Sally Draper. That little girl is amazing and while before the home life of Don Draper tended to bore me a bit, Sally has me loving every moment we get to see of the kids these days. They're no longer little walking, breathing props, but they are real people, which I love.
A show that is bloody, on the other hand, is (shock of all shocks) Dexter, which I have grown to really like over the two seasons I've seen so far. Of course, identity crises for serial killers are not my favourite thing (hello Sylar's bazillionth on Heroes), but aside from that, I like the show plenty. I also like the supporting cast quite a bit as well and I'm really sad to see Doakes go at the end of the second season. He was great to watch. Although I've heard the third season isn't so great, I'm still looking forward to watching it (planning on watching the season premiere once I finish this as I am currently stumped on my homework). SO glad Lila's gone. She pissed me the fuck off. For all her annoying, Rita is much preferable.
Movies... movies... well I finally saw Coraline, which was good, watched Fargo (yeah I'm behind on the times a bit, don't judge me), and saw both Inglorious Basterds and District 9 in theatres before I went back to school. Both were awesome for their various reasons. Loved the unabashed slaughter and Tarantino-ness of Inglorious Basterds, loved the originality (I know, my friend laughed at me for using the word "original" to describe a movie these days, but I truly think there is something very distinctively fresh about District 9) of District 9, loved both movies for being just so very good end of summer movies without sacrificing quality plot and script for fascinating visuals and big bangs (although both had both).
Although I haven't seen all the big name Oscar watch fall movies because, well, they're mostly not out yet (and I am busy and deprived of a movie theatre and strapped for cash), I am massively excited about a lot of them. I've been hearing great things about Up in the Air, and I'd love to see The Informant! and I've been excited about Where The Wild Things Are and Precious for a while. I love Clive Owen, especially when he's in actually good roles, so I'm also anticipating The Boys Are Back. I'm worried that The Road won't be nearly as good as the book (I just can't see it operating as well as a movie than how it is as a book), but I do love me some Viggo Mortensen and I did love the book, so I'm cautiously excited for its release. And of course, speaking of book adaptations, I am beyond beyond excited for The Lovely Bones. That preview is stunning and Saoirse Ronan is wonderful, so I am really looking forward to that movie's release as well.
Heroes, House, and How I Met Your Mother all return tonight, Gossip Girl's second episode of the season will be on, and there will be an interesting battle to see which one will be watched in the TV room. But whatever it is, I want to see all of them, so I will be satisfied.
Oh and I'm watching FlashForward when it starts Thursday. Love me some Joseph Fiennes, hope the show is actually good, and will see you again sometime in the future! I think my update has run quite a bit long here.
Tuesday, July 28, 2009
Sorry, TV Shows Ate My Homework
My apologies for not having posted much recently. First of all, I've been rather movie deprived (the only thing I've watched since Defiance is 12, a Russian remake of 12 Angry Men, which was very good, very interesting. I've always really liked 12 Angry Men, both the movie and the play). Second of all, my computer has been rather cranky lately, so much so, that I'm probably going to lose it for a few days next week to get the hard drive wiped. Third of all, I've been lost in television. As you may have noticed, I obsessed over True Blood and now that I'm caught up I've been focusing on the other series I picked up around the same time, How I Met Your Mother. I have also been revisiting Battlestar Galactica by sharing it with my mother (we do this; she gave me Star Wars, Lord of the Rings, and James Bond and in return, I gave her Harry Potter, Cowboy Bebop, and Battlestar Galactica). So television has been ruling my life moreso than movies lately (plus, movies in theatres at the moment bore me. PLEASE let Funny People be good. I really want it to be good when it comes out this weekend).
Since I caught up with True Blood and, sadly, shifted focus to How I Met Your Mother, I have become intensely focused on the sitcom. It is very good. I am starting to trust television to actually be good sometimes again. I'm actually following more than five shows! I had to make a list to actually remember which shows I am watching (although I left off 10 Things I Hate About You. To make up for the fact that I actually watched the first three episodes as they aired, I missed tonight's. Yippee! I am mildly ashamed I am watching it, if you couldn't tell). Mind you, most of the shows I am watching are currently not airing as it is summer. And Chuck doesn't come back until March, which blows. But HIMYM is great. And Neil Patrick Harris is great. I am this much more intent on watching the Emmys this year (this is a challenge as I will be at college where we do not have cable in the dorms which wasn't a problem before but now I find it to be rather suck). I want to see him host. I'd also like to see him win.
I am one episode away from finishing season three and then... dun dun dun! Only one season left before I am caught up. I should be doing reading for school (I had been doing such a good job, then I started watching television) but, come on, books for a class called Narratives of Suffering are not as uplifting as laughing at HIMYM. Sitcoms that make me laugh... I missed that.
So again, my apologies for the lack of updates. Also for the probable lack of updates in the near future. Especially since shortly after my darling laptop will be wiped, I will be leaving the country for a weekish-long trip. And then I'll be back at school a bit after that. Oh summer, where art thou? At least when summer ends I will be that much closer to Nine, Sherlock Holmes, and Oscar-Bait Season. And most of my darling shows will be back on the air. Hurrah!
Since I caught up with True Blood and, sadly, shifted focus to How I Met Your Mother, I have become intensely focused on the sitcom. It is very good. I am starting to trust television to actually be good sometimes again. I'm actually following more than five shows! I had to make a list to actually remember which shows I am watching (although I left off 10 Things I Hate About You. To make up for the fact that I actually watched the first three episodes as they aired, I missed tonight's. Yippee! I am mildly ashamed I am watching it, if you couldn't tell). Mind you, most of the shows I am watching are currently not airing as it is summer. And Chuck doesn't come back until March, which blows. But HIMYM is great. And Neil Patrick Harris is great. I am this much more intent on watching the Emmys this year (this is a challenge as I will be at college where we do not have cable in the dorms which wasn't a problem before but now I find it to be rather suck). I want to see him host. I'd also like to see him win.
I am one episode away from finishing season three and then... dun dun dun! Only one season left before I am caught up. I should be doing reading for school (I had been doing such a good job, then I started watching television) but, come on, books for a class called Narratives of Suffering are not as uplifting as laughing at HIMYM. Sitcoms that make me laugh... I missed that.
So again, my apologies for the lack of updates. Also for the probable lack of updates in the near future. Especially since shortly after my darling laptop will be wiped, I will be leaving the country for a weekish-long trip. And then I'll be back at school a bit after that. Oh summer, where art thou? At least when summer ends I will be that much closer to Nine, Sherlock Holmes, and Oscar-Bait Season. And most of my darling shows will be back on the air. Hurrah!
Labels:
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Tuesday, July 14, 2009
Television Blah Blah Blah
Considering that I don't watch much television, it's no surprise that I care very little about the Emmy Awards. That is, I did until I realized that I will actually be very sad if my beloved Battlestar Galactica and Chuck are snubbed, especially BSG since it has been routinely snubbed.
This frustration plagued me today as I tried to explain to a friend of mine and her friend why they should watch Battlestar Galactica (as I do to many people, as I have done about several things in the past... like Heroes, back when it was good) and her friend was gracious enough to actually allow me to attempt to describe the premise (which, I admit, I didn't do with flying colours; it is so hard to make the show sound as un-sci-fi as it actually is). This reluctance is something I understand. It took me a long time to give in to urgings to watch House and Mad Men and I watch most other TV shows for various other reasons (I started watching Gilmore Girls due to the ABC Family reruns, Heroes for Milo Ventimiglia's beauty, Chuck because it was on before Heroes, Battlestar Galactica because drunk guys in a neighboring dorm watched it frequently which piqued my curiosity, and Gossip Girl because I was turned on to What Chuck Wore... and I am a twisted soul) but I admit that I rarely watch TV because people recommend it to me directly.
Is it futile to recommend things to others? I know that my recommendations to friends often fall on deaf ears. Or, occasionally, my pushing can lead to overhype, as my roommate refuses to watch the second half of The Departed because I had "hyped it up" too much and she wasn't that impressed by the first half. But then again, I have successfully convinced a few people, namely my mother, into trying these new things. Yes, you say, it's my mother, you say, she'd do anything for me, you say, but it takes at least minimal interest to read through the seven Harry Potter books, sit through Cowboy Bebop and the first three seasons of Battlestar Galactica. Plus, it was by her free will that she started watching Chuck when I watched the DVRed episodes. I have convinced an unfortunate amount of friends to watch Heroes... if only I could transfer that poor faith into a show with real quality, like Chuck or BSG. I apologize, my friends, I never knew it would go so sour after such an excellent start.
But back to the Emmys, which I started to post on. Since I have started concerning myself with them all of a few days ago, I have heard just how lame they are and unoriginal and on about how they don't feature excellence (I admit, I was surprised to hear The Wire, highly praised by every other member in my family including my elder brother, a film major/film buff whose taste in music I disagree with (he likes RAP) but his eye is better than his ear, had never been nominated. I don't know much about it except that it is supposedly AMAZING). So no wonder a show as wonderfully deep, action-packed, thrilling, smart, and acclaimed as BSG won't be noticed. But there's hope yet for my beloved Chuck, which hit an amazing stride in its second season. Yes, the first season was a great start, but the second season... SO good, especially as it moves on.
But if what I've heard about the Emmys is right, Chuck has no hope, and I'll just have to hear more nominations for shows that have never interested me enough to watch or even read about them, much less consider them the best of TV. But then, considering that most television is crap (sure, my friend whose interests include fat people might enjoy Dance Your Ass Off, but I could care less), I can see how it's easy to pounce on anything half-decent. I can also see how hard it is to convince anyone that this or that show is particularly amazing. I know I rarely react, especially to my dozens of friends who are Dr. Who addicts (including my dear roommate), so why should anyone else?
Oh, right, because BSG is totally amazing. x)
And March 2010 and the return of Chuck is SO FAR AWAY.
The only bright side? Mad Men returns next month! I'd feel a lot better if I knew the actual return date though...
This frustration plagued me today as I tried to explain to a friend of mine and her friend why they should watch Battlestar Galactica (as I do to many people, as I have done about several things in the past... like Heroes, back when it was good) and her friend was gracious enough to actually allow me to attempt to describe the premise (which, I admit, I didn't do with flying colours; it is so hard to make the show sound as un-sci-fi as it actually is). This reluctance is something I understand. It took me a long time to give in to urgings to watch House and Mad Men and I watch most other TV shows for various other reasons (I started watching Gilmore Girls due to the ABC Family reruns, Heroes for Milo Ventimiglia's beauty, Chuck because it was on before Heroes, Battlestar Galactica because drunk guys in a neighboring dorm watched it frequently which piqued my curiosity, and Gossip Girl because I was turned on to What Chuck Wore... and I am a twisted soul) but I admit that I rarely watch TV because people recommend it to me directly.
Is it futile to recommend things to others? I know that my recommendations to friends often fall on deaf ears. Or, occasionally, my pushing can lead to overhype, as my roommate refuses to watch the second half of The Departed because I had "hyped it up" too much and she wasn't that impressed by the first half. But then again, I have successfully convinced a few people, namely my mother, into trying these new things. Yes, you say, it's my mother, you say, she'd do anything for me, you say, but it takes at least minimal interest to read through the seven Harry Potter books, sit through Cowboy Bebop and the first three seasons of Battlestar Galactica. Plus, it was by her free will that she started watching Chuck when I watched the DVRed episodes. I have convinced an unfortunate amount of friends to watch Heroes... if only I could transfer that poor faith into a show with real quality, like Chuck or BSG. I apologize, my friends, I never knew it would go so sour after such an excellent start.
But back to the Emmys, which I started to post on. Since I have started concerning myself with them all of a few days ago, I have heard just how lame they are and unoriginal and on about how they don't feature excellence (I admit, I was surprised to hear The Wire, highly praised by every other member in my family including my elder brother, a film major/film buff whose taste in music I disagree with (he likes RAP) but his eye is better than his ear, had never been nominated. I don't know much about it except that it is supposedly AMAZING). So no wonder a show as wonderfully deep, action-packed, thrilling, smart, and acclaimed as BSG won't be noticed. But there's hope yet for my beloved Chuck, which hit an amazing stride in its second season. Yes, the first season was a great start, but the second season... SO good, especially as it moves on.
But if what I've heard about the Emmys is right, Chuck has no hope, and I'll just have to hear more nominations for shows that have never interested me enough to watch or even read about them, much less consider them the best of TV. But then, considering that most television is crap (sure, my friend whose interests include fat people might enjoy Dance Your Ass Off, but I could care less), I can see how it's easy to pounce on anything half-decent. I can also see how hard it is to convince anyone that this or that show is particularly amazing. I know I rarely react, especially to my dozens of friends who are Dr. Who addicts (including my dear roommate), so why should anyone else?
Oh, right, because BSG is totally amazing. x)
And March 2010 and the return of Chuck is SO FAR AWAY.
The only bright side? Mad Men returns next month! I'd feel a lot better if I knew the actual return date though...
Labels:
battlestar galactica,
chuck,
emmys,
recommendations,
snub,
television
Thursday, July 9, 2009
Stealing From My Livejournal Part XXXIV
As I use my livejournal for little else except for movie rants and decided to switch over here, I thought I'd recruit some older posts so as to show a history. I'll bother with new ones as they come to me.
From July 8, 2009:
"Okay, so, I don't watch a lot of TV (shows I view regularly are: House, Heroes, Mad Men, Chuck, and, yes, I'm not ashamed to admit it, Gossip Girl) but let me interject here once again by reminding the world that Battlestar Galactica is one of the best frakkin television shows ever, and definitely one of the best dramas. Now I have never really cared about the Emmys in the past because I don't watch much television, but let me reiterate a call Michael Slezak made on EW.com - frakkin nominate Edward James Olmos, Mary McDonnel, and while we're at it, the entire show for some Emmys! Honestly, I'd also make a push for Tricia Helfer; I am always impressed by her ability to play all the Sixes and each of them with their own similar but distinct and fully rounded personalities. And if it was any season but the fourth, I'd also push for James Callis (Baltar was pretty lame in season 4, but astonishing in season 2, for instance - between the parts where he was stranded on Kobol to the Pegasus arc and all the way to his presidency bid, his character was fully realized in season 2).
But all in all, BSG is the best piece of television I've devoted myself to in a while. I don't get into a lot of TV shows because most of them are boring, repetitive, or only have so many good qualities. BSG, however, is excellently-written with a wonderful cast, not only with the leading members, but also with the secondary characters, from Laura Roslin herself all the way down to Doc Coddle, and everyone in-between, like Gaeta, the little favourite-character-turned-LEAST-favourite, but all done with such character... But where was I? Oh yes, and with the most original plot on television, even if it is based off of a previous series and shares similarities with every other space epic. But the way it twists and turns, always making sense, evolving and changing not to fit the writers' whims, but to fit what seems natural, that is in itself a characteristic too few television shows these days do.
Too many shows are afraid of change and stick to their formulatic tendencies. To an extent, that's enjoyable. House operates with its Patient Of The Week, Chuck has his Mission Of The Week, even BSG has its "oh we're out of food/air/water/sleep/fuel/etc. so we've got to find it ASAP" episodes. But each of these series also admirably took big risks, shaking up the formula. House just sent its main character off to rehab, for real. Now THAT is epic. Chuck lost the intersect... got it back... and learned kung-fu. WTF of AWESOME! BSG... gradually eliminated all the ways in which Cylons were inhuman, from turning them into humanoid form to making the girls get pregnant to destroying resurrection! Now isn't it cool when your enemy is suddenly not so different? (This is something I have to constantly remind my mother when she says that the Cylons are "evil.")
Anyway, without getting too plot heavy, my point is that BSG needs some frakkin love, Emmys/rest of the world. Watch it, love it, experience some of the best television ever.
But then again, what kind of hack am I? I watch Gossip Girl and cheer internally everytime Chuck and Blair share a scene. And I totally don't disagree with the random chick on EW.com who said Leighton Meester deserves some recognition (Blair is definitely the most interesting and fully realized character on the show. Also the wittiest. Scenes without her or Chuck suffer from being dreadfully boring at times).
Ahem. As I was saying, check out Battlestar Galactica, you frakkin morons, and understand why the frak I keep saying frak."
From July 8, 2009:
"Okay, so, I don't watch a lot of TV (shows I view regularly are: House, Heroes, Mad Men, Chuck, and, yes, I'm not ashamed to admit it, Gossip Girl) but let me interject here once again by reminding the world that Battlestar Galactica is one of the best frakkin television shows ever, and definitely one of the best dramas. Now I have never really cared about the Emmys in the past because I don't watch much television, but let me reiterate a call Michael Slezak made on EW.com - frakkin nominate Edward James Olmos, Mary McDonnel, and while we're at it, the entire show for some Emmys! Honestly, I'd also make a push for Tricia Helfer; I am always impressed by her ability to play all the Sixes and each of them with their own similar but distinct and fully rounded personalities. And if it was any season but the fourth, I'd also push for James Callis (Baltar was pretty lame in season 4, but astonishing in season 2, for instance - between the parts where he was stranded on Kobol to the Pegasus arc and all the way to his presidency bid, his character was fully realized in season 2).
But all in all, BSG is the best piece of television I've devoted myself to in a while. I don't get into a lot of TV shows because most of them are boring, repetitive, or only have so many good qualities. BSG, however, is excellently-written with a wonderful cast, not only with the leading members, but also with the secondary characters, from Laura Roslin herself all the way down to Doc Coddle, and everyone in-between, like Gaeta, the little favourite-character-turned-LEAST-favourite, but all done with such character... But where was I? Oh yes, and with the most original plot on television, even if it is based off of a previous series and shares similarities with every other space epic. But the way it twists and turns, always making sense, evolving and changing not to fit the writers' whims, but to fit what seems natural, that is in itself a characteristic too few television shows these days do.
Too many shows are afraid of change and stick to their formulatic tendencies. To an extent, that's enjoyable. House operates with its Patient Of The Week, Chuck has his Mission Of The Week, even BSG has its "oh we're out of food/air/water/sleep/fuel/etc. so we've got to find it ASAP" episodes. But each of these series also admirably took big risks, shaking up the formula. House just sent its main character off to rehab, for real. Now THAT is epic. Chuck lost the intersect... got it back... and learned kung-fu. WTF of AWESOME! BSG... gradually eliminated all the ways in which Cylons were inhuman, from turning them into humanoid form to making the girls get pregnant to destroying resurrection! Now isn't it cool when your enemy is suddenly not so different? (This is something I have to constantly remind my mother when she says that the Cylons are "evil.")
Anyway, without getting too plot heavy, my point is that BSG needs some frakkin love, Emmys/rest of the world. Watch it, love it, experience some of the best television ever.
But then again, what kind of hack am I? I watch Gossip Girl and cheer internally everytime Chuck and Blair share a scene. And I totally don't disagree with the random chick on EW.com who said Leighton Meester deserves some recognition (Blair is definitely the most interesting and fully realized character on the show. Also the wittiest. Scenes without her or Chuck suffer from being dreadfully boring at times).
Ahem. As I was saying, check out Battlestar Galactica, you frakkin morons, and understand why the frak I keep saying frak."
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