Up in the Air
...because I love that who seems to be the most successful Twilight actor played an annoying human and I am rooting a hundred percent for Anna Kendrick even though I have only seen the previews. Oh and George Clooney and Jason Reitman are fabulous too. I liked Thank You for Smoking far more than I liked Juno (I liked Juno plenty; but it was way overrated) and the previews just look stunning and I've only heard good things.
Fantastic Mr. Fox
...because, although sometimes I am not that into Wes Anderson, this looks wonderful. I didn't really pay it much attention until I finally saw the preview before Where the Wild Things Are and then thought to myself how wonderful that film would be. Meryl Streep and George Clooney hardly hurt my desire to see what looks like a very clever and quality animated film. Also, good reviews encourage me.
The Road
...because, although I've been back and forth on my expectations for this film ever since I heard about it, if Cormac McCarthy thinks it's a good adaptation of his magnificent novel, I might end up genuinely liking it. Plus, Viggo Mortensen does no wrong.
Precious
...because I like crying during movies. I'm a little apprehensive that it'll be overhyped and a replay of the whole Slumdog Millionaire craze (good, tear-jerking indie movie sweeps the awards... not that the two are the same movie because I've gotten the impression that Precious is no holds-barrel depressing and horrific as opposed to Slumdog Millionaire's general cheeriness despite the slums), but it's also been beloved by many, even if not by all. I can understand the fatigue, but I still liked Slumdog Millionaire too.
Invictus
...because I adore Morgan Freeman and am excited to see a movie that looks perfect for him. Not to mention that the trailer looks very strong, the plot is interesting, and Matt Damon is also a really fantastic actor. Clint Eastwood directing doesn't hurt it either.
The Lovely Bones
...because I fell in love with the book when I was required to read it the summer before my freshman year of high school, staying up until 9am finishing it, crying like a baby. Saioirse Ronan is a wonderful actress (one of the actually quite good parts of Atonement, as the Academy recognized her before), Peter Jackson is certainly a capable director, and although Mark Wahlberg can be kind of questionable, he did kick major ass in The Departed (Oscar nom!) and the rest of the cast looks solid. Oh and the trailer makes me cry every time I see it.
The Hurt Locker
...because I'm behind on the game and missed it over the summer and my feminine power side is just so excited that Kathryn Bigelow is being talked up as a Best Director possibility because it is still so sad how old-fashioned the film industry is. I love me some old white guy movies, but that doesn't mean I don't want to see alternatives succeed! Not to mention that I've only heard the best things about this movie and I enjoy quality action-centric films.
The Princess and the Frog
...because for all that Disney has done wrong, they made some awesome movies in the '90s and this seems like a good return to form. Maybe it won't be quite Pixar-level, but I still think it'll be an enjoyable ride.
2012
...because I am so curious as to see what happens after the world implodes.
Avatar
...because I want to be convinced that it is actually worth the hype (I doubt I will be). Alternatively, I look forward to telling everyone how it isn't good enough. But I love Sam Worthington, so I'd also like for it to succeed. Maybe. Maybe not. We'll see. I'm really wary of this movie.
Sherlock Holmes
...because it looks badass and Robert Downey Jr. is beyond amazing (not to mention that the rest of the cast is also quite strong and Guy Ritchie does make some good films... let's all forget that he remade the already nutty Swept Away...). I love action flicks too, if I didn't already make that part clear.
An Education
...because the critics told me to for Carey Mulligan and I am their slave (I wish I were lying).
A Serious Man
...because I've heard it is good. And I do like me some Coen brothers. And I went to my first bar mitzvah this year so now I'll all kinds of curious about the whole premise of this film.
A Single Man
...because I do quite like Colin Firth and want to see how he does in this (supposedly, fabulously).
Nine
...because I remember when I saw the trailer before I even heard most of the awards prediction possibilities about it and thought to myself "well this looks AWESOME" and watched the trailer about ten more times that evening. Also, just LOOK at that cast. And it's directed by Rob Marshall of Chicago... and I went back and rewatched Chicago for the first time in a while recently and remembered just how actually good it was. And those visuals? Oh god, I am exciting myself all over again for this movie.
The Blind Side
...because although it could easily be cheesy and lame and eh, I still find myself attracted to it in all its tear-jerking glory.
And god I hope that's all the movies I plan to see (there will be more, especially when the award nominations start rolling in and I realize which ones I'll need to see... fuck the Oscars for naming the nominees so late this year; I'll already be back at school with absolutely no time or a Netflix account... bizznatches). I also hope that most of these movies are worth seeing.
PS: Fuck tag limits. I also intended to tag: 2012, The Princess and the Frog, and Other Awards, but the stupid character max stopped me. >.<
Showing posts with label the lovely bones. Show all posts
Showing posts with label the lovely bones. Show all posts
Friday, November 13, 2009
Monday, September 21, 2009
A Plethora of TV, Movies, and Such.
My major apologies for neglecting this blog so greatly over the past few weeks. Unfortunately, school has eaten my time and soul. That, and I picked up watching Dexter once I started school and am currently two seasons in.
Let's see, so much has changed since I last updated this blog and I will ramble onto numerous points here and there until I find that I have written something adequately updating in my movie/television/entertainment life.
Mind you, spoilers are for the following in case you're behind me: up to last night's Mad Men, up through season 2 of Dexter, up to always of Battlestar Galactica, up to the Emmys (which, if you haven't watched, you probably won't), and maybe a few other things. Just beware as you read.
First and freshest in my mind is, of course, last night's Primetime Emmy Awards. Neil Patrick Harris is fabulous and there is no doubt about that and I am quite saddened to know that he lost his Supporting Actor in a Comedy award that I believe he so deserved (granted, I don't think I watch any of the other nominated shows aside from How I Met Your Mother, which returns tonight), but he was a fantastic host. I tweeted during the whole thing (and got murderous glares from my one friend who said I spammed her twitter feed... I honestly didn't tweet THAT much... >.>), but mostly about NPH and BSG.
Yes, my darling Battlestar Galactica, which was so wrongly deprived of the Emmy love it dearly deserved. Season 4 is not the best season for Battlestar Galactica (tbh, every season is SPECTACULAR and none of the seasons are without blemish, but I'd say the season with the best track record is probably Season 2 with a) the Kobol plot at the beginning of the season, b) the Pegasus plot with Michelle Forbes' fabulosity and one of the most human Baltar moments when he visits with poor battered Gina, and c) The stunning ending to the season with that tense election and amazing time jump. Unfortunately, season 2 also has the Apollo/Dee nonsense and poor Billy's demise). BUT Season 4 features two of the absolute BEST episodes Battlestar Galactica has produced: The Oath and Blood on the Scales. Those episodes are BEYOND stunning for so many reasons. Although the Battlestar Galactica mythology is great and interesting, it occasionally gets bogged down, especially toward the end with the Final Five and Earth and all, but those two episodes were among the most human and realistic episodes BSG has ever produced. The building tension of the first episode that leaks into the second of the two-parter is beautiful, and it's just this wonderful return to form with the old characters we know and love (hooray Starbuck kicking ass rather than having an identity crisis!). I know that it would have made no difference for BSG to have those two episodes as its featured rather than the concluding episodes Daybreak, but I honestly think that those are the strongest episodes of season 4.5 and among the strongest of the entire series.
Backing away from poor Battlestar Galactica's final Emmy snub (and skirting around the Chuck snub entirely), let me focus on the positivity. About a year ago, the only television I habitually watched was Heroes. I had watched Gilmore Girls when it was on and I made a semi-effort to watch Mad Men, Chuck, and House, but I didn't give a shit about television much at all. So this is the first time I really gave a hoot about the Emmys (albeit a very small hoot; I still only watch maybe ten television series). I normally love awards shows but heard that the Emmys were usually boring (which, despite NPH's best efforts, it still was in many ways). But it was still a truly fun affair for me even as a not heavy television viewer, as someone who knew probably two thirds of the winners by name and the only television show that won anything that I actually watch is Mad Men. So good work to you, NPH. Hats off to the entertaining night (and to the fun liveblog I participated in at EW.com).
Speaking of Mad Men, this new season has been the typical Mad Men slowness. I understand why a lot of people I know can't fully get into the show (even I'm not fully into it although I think it's generally spectacular and stunning), but I just watched last night's episode and I thought it was definitely good. There's nothing more unlike Mad Men than some guy getting run over by a tractor. I'm sorry, but blood on Mad Men just doesn't happen. It is not a violent show and that part of the episode really shook things up for me, which I loved. Also great this season is Sal (although he's been lacking a bit since the premiere, aside from his dance for Kitty), Peggy's bits here and there, Duck's sweater he appeared in last week, Joan as always, and Sally Draper. That little girl is amazing and while before the home life of Don Draper tended to bore me a bit, Sally has me loving every moment we get to see of the kids these days. They're no longer little walking, breathing props, but they are real people, which I love.
A show that is bloody, on the other hand, is (shock of all shocks) Dexter, which I have grown to really like over the two seasons I've seen so far. Of course, identity crises for serial killers are not my favourite thing (hello Sylar's bazillionth on Heroes), but aside from that, I like the show plenty. I also like the supporting cast quite a bit as well and I'm really sad to see Doakes go at the end of the second season. He was great to watch. Although I've heard the third season isn't so great, I'm still looking forward to watching it (planning on watching the season premiere once I finish this as I am currently stumped on my homework). SO glad Lila's gone. She pissed me the fuck off. For all her annoying, Rita is much preferable.
Movies... movies... well I finally saw Coraline, which was good, watched Fargo (yeah I'm behind on the times a bit, don't judge me), and saw both Inglorious Basterds and District 9 in theatres before I went back to school. Both were awesome for their various reasons. Loved the unabashed slaughter and Tarantino-ness of Inglorious Basterds, loved the originality (I know, my friend laughed at me for using the word "original" to describe a movie these days, but I truly think there is something very distinctively fresh about District 9) of District 9, loved both movies for being just so very good end of summer movies without sacrificing quality plot and script for fascinating visuals and big bangs (although both had both).
Although I haven't seen all the big name Oscar watch fall movies because, well, they're mostly not out yet (and I am busy and deprived of a movie theatre and strapped for cash), I am massively excited about a lot of them. I've been hearing great things about Up in the Air, and I'd love to see The Informant! and I've been excited about Where The Wild Things Are and Precious for a while. I love Clive Owen, especially when he's in actually good roles, so I'm also anticipating The Boys Are Back. I'm worried that The Road won't be nearly as good as the book (I just can't see it operating as well as a movie than how it is as a book), but I do love me some Viggo Mortensen and I did love the book, so I'm cautiously excited for its release. And of course, speaking of book adaptations, I am beyond beyond excited for The Lovely Bones. That preview is stunning and Saoirse Ronan is wonderful, so I am really looking forward to that movie's release as well.
Heroes, House, and How I Met Your Mother all return tonight, Gossip Girl's second episode of the season will be on, and there will be an interesting battle to see which one will be watched in the TV room. But whatever it is, I want to see all of them, so I will be satisfied.
Oh and I'm watching FlashForward when it starts Thursday. Love me some Joseph Fiennes, hope the show is actually good, and will see you again sometime in the future! I think my update has run quite a bit long here.
Let's see, so much has changed since I last updated this blog and I will ramble onto numerous points here and there until I find that I have written something adequately updating in my movie/television/entertainment life.
Mind you, spoilers are for the following in case you're behind me: up to last night's Mad Men, up through season 2 of Dexter, up to always of Battlestar Galactica, up to the Emmys (which, if you haven't watched, you probably won't), and maybe a few other things. Just beware as you read.
First and freshest in my mind is, of course, last night's Primetime Emmy Awards. Neil Patrick Harris is fabulous and there is no doubt about that and I am quite saddened to know that he lost his Supporting Actor in a Comedy award that I believe he so deserved (granted, I don't think I watch any of the other nominated shows aside from How I Met Your Mother, which returns tonight), but he was a fantastic host. I tweeted during the whole thing (and got murderous glares from my one friend who said I spammed her twitter feed... I honestly didn't tweet THAT much... >.>), but mostly about NPH and BSG.
Yes, my darling Battlestar Galactica, which was so wrongly deprived of the Emmy love it dearly deserved. Season 4 is not the best season for Battlestar Galactica (tbh, every season is SPECTACULAR and none of the seasons are without blemish, but I'd say the season with the best track record is probably Season 2 with a) the Kobol plot at the beginning of the season, b) the Pegasus plot with Michelle Forbes' fabulosity and one of the most human Baltar moments when he visits with poor battered Gina, and c) The stunning ending to the season with that tense election and amazing time jump. Unfortunately, season 2 also has the Apollo/Dee nonsense and poor Billy's demise). BUT Season 4 features two of the absolute BEST episodes Battlestar Galactica has produced: The Oath and Blood on the Scales. Those episodes are BEYOND stunning for so many reasons. Although the Battlestar Galactica mythology is great and interesting, it occasionally gets bogged down, especially toward the end with the Final Five and Earth and all, but those two episodes were among the most human and realistic episodes BSG has ever produced. The building tension of the first episode that leaks into the second of the two-parter is beautiful, and it's just this wonderful return to form with the old characters we know and love (hooray Starbuck kicking ass rather than having an identity crisis!). I know that it would have made no difference for BSG to have those two episodes as its featured rather than the concluding episodes Daybreak, but I honestly think that those are the strongest episodes of season 4.5 and among the strongest of the entire series.
Backing away from poor Battlestar Galactica's final Emmy snub (and skirting around the Chuck snub entirely), let me focus on the positivity. About a year ago, the only television I habitually watched was Heroes. I had watched Gilmore Girls when it was on and I made a semi-effort to watch Mad Men, Chuck, and House, but I didn't give a shit about television much at all. So this is the first time I really gave a hoot about the Emmys (albeit a very small hoot; I still only watch maybe ten television series). I normally love awards shows but heard that the Emmys were usually boring (which, despite NPH's best efforts, it still was in many ways). But it was still a truly fun affair for me even as a not heavy television viewer, as someone who knew probably two thirds of the winners by name and the only television show that won anything that I actually watch is Mad Men. So good work to you, NPH. Hats off to the entertaining night (and to the fun liveblog I participated in at EW.com).
Speaking of Mad Men, this new season has been the typical Mad Men slowness. I understand why a lot of people I know can't fully get into the show (even I'm not fully into it although I think it's generally spectacular and stunning), but I just watched last night's episode and I thought it was definitely good. There's nothing more unlike Mad Men than some guy getting run over by a tractor. I'm sorry, but blood on Mad Men just doesn't happen. It is not a violent show and that part of the episode really shook things up for me, which I loved. Also great this season is Sal (although he's been lacking a bit since the premiere, aside from his dance for Kitty), Peggy's bits here and there, Duck's sweater he appeared in last week, Joan as always, and Sally Draper. That little girl is amazing and while before the home life of Don Draper tended to bore me a bit, Sally has me loving every moment we get to see of the kids these days. They're no longer little walking, breathing props, but they are real people, which I love.
A show that is bloody, on the other hand, is (shock of all shocks) Dexter, which I have grown to really like over the two seasons I've seen so far. Of course, identity crises for serial killers are not my favourite thing (hello Sylar's bazillionth on Heroes), but aside from that, I like the show plenty. I also like the supporting cast quite a bit as well and I'm really sad to see Doakes go at the end of the second season. He was great to watch. Although I've heard the third season isn't so great, I'm still looking forward to watching it (planning on watching the season premiere once I finish this as I am currently stumped on my homework). SO glad Lila's gone. She pissed me the fuck off. For all her annoying, Rita is much preferable.
Movies... movies... well I finally saw Coraline, which was good, watched Fargo (yeah I'm behind on the times a bit, don't judge me), and saw both Inglorious Basterds and District 9 in theatres before I went back to school. Both were awesome for their various reasons. Loved the unabashed slaughter and Tarantino-ness of Inglorious Basterds, loved the originality (I know, my friend laughed at me for using the word "original" to describe a movie these days, but I truly think there is something very distinctively fresh about District 9) of District 9, loved both movies for being just so very good end of summer movies without sacrificing quality plot and script for fascinating visuals and big bangs (although both had both).
Although I haven't seen all the big name Oscar watch fall movies because, well, they're mostly not out yet (and I am busy and deprived of a movie theatre and strapped for cash), I am massively excited about a lot of them. I've been hearing great things about Up in the Air, and I'd love to see The Informant! and I've been excited about Where The Wild Things Are and Precious for a while. I love Clive Owen, especially when he's in actually good roles, so I'm also anticipating The Boys Are Back. I'm worried that The Road won't be nearly as good as the book (I just can't see it operating as well as a movie than how it is as a book), but I do love me some Viggo Mortensen and I did love the book, so I'm cautiously excited for its release. And of course, speaking of book adaptations, I am beyond beyond excited for The Lovely Bones. That preview is stunning and Saoirse Ronan is wonderful, so I am really looking forward to that movie's release as well.
Heroes, House, and How I Met Your Mother all return tonight, Gossip Girl's second episode of the season will be on, and there will be an interesting battle to see which one will be watched in the TV room. But whatever it is, I want to see all of them, so I will be satisfied.
Oh and I'm watching FlashForward when it starts Thursday. Love me some Joseph Fiennes, hope the show is actually good, and will see you again sometime in the future! I think my update has run quite a bit long here.
Saturday, August 22, 2009
Julie & Julia (one down, four to go)
I thought Julie & Julia was pretty fabulous. Being a vegetarian, the dishes weren't exactly as mouth-watering as they may have been for other viewers, but I could still appreciate how pretty all the food looked. But what really caught my eye, of course, were the people and the places. Queens in 2002 is hardly ancient history or very different from today so far as I can tell, but I always enjoy seeing cramped apartment lifestyles, not gonna lie. Of course, the scenery that stole the show was definitely Julia Child's story, mostly the Parisian parts. Although, the tidbit of suburban Massachusetts life toward the end was also a kind of sweet nostalgia.
But the real show-stealer was Meryl Streep, no surprises there. As I said over dinner last night, putting it down now, Oscar nom (and perhaps another win) for Meryl right there. No doubt in my mind. Of course, it would also be wonderful to see the rest of the fabulous cast recognized (when Jane Lynch appeared as Julia's sister Dorothy, it was WONDERFUL, I was very excited to see her; I'd only realized she was in the film when the opening credits were rolling and boy oh boy she and Meryl Streep looked like they were having SO much fun inhabiting their larger than life personas (both personality and size wise, of course)). Julie Powell was easy to roll your eyes at and label as a bitch, but I've always thought Amy Adams is a wonderful actress and despite being frustrated with Julie at times, I certainly thought she was relate-able on many levels. I mean, in an age such as this, whoever has a blog or even a facebook or anything where they can post their thoughts and feelings want validation for them? Isn't it beyond thrilling when someone recognizes your thoughts are worthy to read? And it is so very easy to let that inflate your ego, to take over your life, and I can sympathize with Julie for falling into that trap. It's not as if it takes a particularly vain person to have it happen to, Julie isn't by nature a narcissistic person, but she, like the rest of us, just wanted appreciation and when she got it, she became addicted to it like a drug, and anytime she didn't have anything to show off or if she got negative feedback, it crushed her.
Anyway, I apologize for rambling on far too much about this and surely repeating myself, but I think those who call Julie Powell as a character a bitch are not understanding why she acted as poorly as she did at times. Granted, I myself am a self-centered bitch, so maybe I simply want to show how it's not Julie's fault so I can accept my own nature. xD
Regardless, Amy Adams and Meryl Streep did a fabulous job, and Jane Lynch, and Stanley Tucci, and simply everyone was just so much fun to watch in the movie. I deeply enjoyed myself.
On another note, I am a preview freak. The more trailers that come with a movie, the better, even if they're movies I have no intention of seeing (this is not counting horror trailers, because horror trailers scare the living bejeezus out of me and are usually way way way frightening). And I was BEYOND thrilled to see a preview for The Lovely Bones during Julie & Julia. I hadn't seen a preview for it yet, but I'd read the novel several years ago, the summer before my freshman year of high school, and stayed up until 9am to finish reading it. The preview did NOT disappoint me in the least. I forget many of the finer points of the novel, but it all looked so good, I had to bite my tongue very hard to keep from crying just from the trailer. I am very, very excited for the movie. Hurrah Peter Jackson!
As for his production credit in District 9, I still haven't gotten to see it yet, but I am set on seeing it this Tuesday. And today, in a bit less than three hours, I will see Tarantino's glorious Inglorious Basterds. I am very excited for that. Beyond that, I plan to see Taking Woodstock (having been filmed in my area, most people I know are planning to point out their friends' cameos as extras) this Friday when it comes out (I leave Saturday midday to return to school), and the other movie I am determined to see before I return to school is The Hurt Locker. I also have The Class on DVD from Netflix to watch... and I have a lot of packing still to do having just gotten home from Venezuela.
So I better end this entry now and prepare myself for massive movie exposure! I love it!
PS: Saw the Mad Men season 3 premiere finally. Although it felt a bit slow (but that might just be because it's been a while since Mad Men's been on), I attribute that to SO much catching up. I was slightly sad to see so little Peggy, but it's fab seeing her with her own secretary. The Brits seem a bit off, Pete's as entrancingly yuppie/obnoxious/self-centered as ever, Betty's all preggers, Sally should totally be a lesbian, and Salvatore Romano remains one of my favourite characters on the show. HIGH FIVE Bryan Batt, because you are beyond fabulous and so wonderful to watch as one of the show's many fascinating characters. And a less pronounced high five to Joan for being BAMF.
But the real show-stealer was Meryl Streep, no surprises there. As I said over dinner last night, putting it down now, Oscar nom (and perhaps another win) for Meryl right there. No doubt in my mind. Of course, it would also be wonderful to see the rest of the fabulous cast recognized (when Jane Lynch appeared as Julia's sister Dorothy, it was WONDERFUL, I was very excited to see her; I'd only realized she was in the film when the opening credits were rolling and boy oh boy she and Meryl Streep looked like they were having SO much fun inhabiting their larger than life personas (both personality and size wise, of course)). Julie Powell was easy to roll your eyes at and label as a bitch, but I've always thought Amy Adams is a wonderful actress and despite being frustrated with Julie at times, I certainly thought she was relate-able on many levels. I mean, in an age such as this, whoever has a blog or even a facebook or anything where they can post their thoughts and feelings want validation for them? Isn't it beyond thrilling when someone recognizes your thoughts are worthy to read? And it is so very easy to let that inflate your ego, to take over your life, and I can sympathize with Julie for falling into that trap. It's not as if it takes a particularly vain person to have it happen to, Julie isn't by nature a narcissistic person, but she, like the rest of us, just wanted appreciation and when she got it, she became addicted to it like a drug, and anytime she didn't have anything to show off or if she got negative feedback, it crushed her.
Anyway, I apologize for rambling on far too much about this and surely repeating myself, but I think those who call Julie Powell as a character a bitch are not understanding why she acted as poorly as she did at times. Granted, I myself am a self-centered bitch, so maybe I simply want to show how it's not Julie's fault so I can accept my own nature. xD
Regardless, Amy Adams and Meryl Streep did a fabulous job, and Jane Lynch, and Stanley Tucci, and simply everyone was just so much fun to watch in the movie. I deeply enjoyed myself.
On another note, I am a preview freak. The more trailers that come with a movie, the better, even if they're movies I have no intention of seeing (this is not counting horror trailers, because horror trailers scare the living bejeezus out of me and are usually way way way frightening). And I was BEYOND thrilled to see a preview for The Lovely Bones during Julie & Julia. I hadn't seen a preview for it yet, but I'd read the novel several years ago, the summer before my freshman year of high school, and stayed up until 9am to finish reading it. The preview did NOT disappoint me in the least. I forget many of the finer points of the novel, but it all looked so good, I had to bite my tongue very hard to keep from crying just from the trailer. I am very, very excited for the movie. Hurrah Peter Jackson!
As for his production credit in District 9, I still haven't gotten to see it yet, but I am set on seeing it this Tuesday. And today, in a bit less than three hours, I will see Tarantino's glorious Inglorious Basterds. I am very excited for that. Beyond that, I plan to see Taking Woodstock (having been filmed in my area, most people I know are planning to point out their friends' cameos as extras) this Friday when it comes out (I leave Saturday midday to return to school), and the other movie I am determined to see before I return to school is The Hurt Locker. I also have The Class on DVD from Netflix to watch... and I have a lot of packing still to do having just gotten home from Venezuela.
So I better end this entry now and prepare myself for massive movie exposure! I love it!
PS: Saw the Mad Men season 3 premiere finally. Although it felt a bit slow (but that might just be because it's been a while since Mad Men's been on), I attribute that to SO much catching up. I was slightly sad to see so little Peggy, but it's fab seeing her with her own secretary. The Brits seem a bit off, Pete's as entrancingly yuppie/obnoxious/self-centered as ever, Betty's all preggers, Sally should totally be a lesbian, and Salvatore Romano remains one of my favourite characters on the show. HIGH FIVE Bryan Batt, because you are beyond fabulous and so wonderful to watch as one of the show's many fascinating characters. And a less pronounced high five to Joan for being BAMF.
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