A Couple Dream Nominees

In roughly twelve hours, we will have our Oscar nominees 2011. There will be names of films I have yet to see and others I didn't like enough to understand why they're nominated. Amidst my existence of seeing mostly just the popular choices, not having quite the opportunity to be exposed to under the radar films before other people get a chance to tell me to see them, there still seem to be disappointments for me when nomination morning comes. I doubt anything tomorrow morning could upset me the way I wanted to break my television when The Dark Knight was snubbed for Best Picture, Best Director, and Best Adapted Screenplay (all of which it deserved, in my opinion), but I'll still be disappointed in the likeliest of circumstances.

Thus, like everyone else, I have a few names and roles and things I'd like to see nominated come tomorrow morning. Let's run through some of my dream nominees, shall we?

While I liked Winter's Bone, I understand some people calling it "overrated" - it is a well-crafted film, a well-written story, and features some brilliant performances. However, I probably won't be too disappointed if it isn't nominated for Best Pictures. Jennifer Lawrence will get her due, which she deserves. I'll be more disappointed if John Hawkes' scarily intriguing and, as every role should be, complex and layered performance isn't nominated. Jeremy Renner for The Town or Matt Damon for True Grit were also good, so I can't complain too much, but John Hawkes would be my pick. If the supporting actress race were less challenging this year, I'd be more outraged at Dale Dickey's exclusion as well. The bizarre chorus of angry women in Winter's Bone and The Fighter were so fascinating. But, like I said earlier, Winter's Bone is a strong, well-crafted film from Debra Granik, in only her second feature film.

The Fighter is getting loads of notice for its performances, particularly its strong supporting performances from Christian Bale, Amy Adams, and Melissa Leo and while they all deserve the attention, Mark Wahlberg's lead role is fan-friggin-tastic. I loved The Departed and thought he was great in that, but his more reserved performance here was even better and this will be the one he won't be nominated for an acting award for.

All the nominees I'm pulling for on varying levels of expectancy:

Best Picture: Exit Through the Gift Shop
Best Picture: How to Train Your Dragon
Best Director: Banksy, Exit Through the Gift Shop
Best Director: Debra Granik, Winter's Bone
Best Actress: Hailee Steinfeld, True Grit
Best Actress: Emma Stone, Easy A
Best Actor: Mark Wahlberg, The Fighter
Best Supporting Actress: Barbara Hershey, Black Swan
Best Supporting Actress: Dale Dickey, Winter's Bone
Best Supporting Actor: Cillian Murphy, Inception
Best Supporting Actor: Michael Sheen, TRON: Legacy
Best Supporting Actor: Jon Hamm, The Town
Best Supporting Actor: John Hawkes, Winter's Bone
Best Adapted Screenplay: How to Train Your Dragon
Best Adapted Screenplay: Scott Pilgrim vs. the World
Best Documentary Feature: Joan Rivers: A Piece of Work
Best Documentary Feature: Exit Through the Gift Shop
Best Visual Effects: Scott Pilgrim vs. the World
Best Original Score: TRON: Legacy
Best Original Song: "Despicable Me" from Despicable Me

...and I'm kinda out. Some of these I'd be pulling for more than others (the music categories are some of my more fervent endorsements; that song from Despicable Me was perfect and I adored every aspect of the soundscape of Tron: Legacy, including and particularly the score). Jon Hamm, Michael Sheen, and Cillian Murphy I have no expectations for and their competitors are worthy. Barbara Hershey I feel deserves it more than Mila Kunis. Hailee Steinfeld I feel is really a lead performance and a good enough one that even her young age shouldn't keep her sitting in the supporting field. Exit Through the Gift Shop I just loved if it wasn't obvious. And Joan Rivers: A Piece of Work was just so well-crafted and so enjoyable and interesting, for lack of a better word. HTTYD is as good as TS3, and I wish I could give more love to Scott Pilgrim vs. the World, but it is hard to root for just one part of it.

It's really disappointing how few films I've seen this year, though. Shame. Shaaaame. I'll try to fix that in future years. But, mostly, I feel that also I just agree with at least half of the likely nominees.

Honestly, if there were anything I wanted to really push for, it would be a lockout for Alice in Wonderland (which will at least get a few nods if not wins), and switching out The Kids Are All Right for Best Picture with Winter's Bone. Maybe just ditching The Kids Are All Right in screenplay too - I wouldn't even mind shut outs elsewhere, but that'd be hoping too much. Hater that I am...

Well, Oscars, do your worst. Actually, please don't. Do your goddamn best, got it?

A Twitter Trend I Can Get Behind.

Inception, Inception, Inception. It's the talk of the town, isn't it? I know I, for one, have been fangirling all over that thing for months. But, to be quite honest, I've quieted down a lot about it in recent weeks as it really approached. I've been excited for it, yes, but I was avoiding learning too much, theorizing too much, because I really like the experience of seeing a movie without truly knowing what you are going to get out of it. I had seen the basic trailers, but I avoided the spoilers, the plot details, pretty much all of it beyond the very basics everyone knew.

It paid off for me. I didn't even see the movie on opening day; I'd been thinking about a midnight screening, but had made plans to see it today and thought I might as well wait a couple extra days. I took my time, heard bits and pieces of the critiques, and just went into the movie without knowing precisely what I was getting.

I personally quite loved Inception. It was smart without being pretentious or much over my head, its cast was amazing, its technical side was stunning (that score! that cinematography! that EDITING!), and it was just an engrossing tale. Of course I applaud Christopher Nolan for his originality, but also for his dedication and his skill in bringing this fascinating tale to life. I thought the pace was tremendous as well, and like my favorite "long" movies, it didn't feel long in the least. I was thrilled to see more and more and more.

If I am to make a small comparison to The Dark Knight, however, I would say that the pace is better in Inception. I know there is some criticism about the ever-high tension of The Dark Knight, which I personally loved, and is still very much apparent in Inception. However, as Inception works in the layers that it does of the dream world, rather than through a straight time-line of different conflicts in The Dark Knight, the ever-heightened tension works better for Inception. That is really the only comparison I want to make between the two, because their handling is not so different despite their much different stories and tones in regards to the pacing of the films.

I want to watch Inception again, of course, before I really decide how much I liked it. I do know that I want the Academy to recognize it because it is brilliant and it is well-crafted and it is original. I know that many will argue that Christopher Nolan deserves his due because of the snub for The Dark Knight, but that's not why I want him to get recognized. I want him to get recognized because he has done consistently great work and this may not be his most critically-acclaimed film, but it is clearly one he poured himself into and is so very much his.

No matter if the Academy ends up acknowledging Nolan despite their snub of The Dark Knight and his work on it, they still snubbed a great modern film two years ago. Call me a fangirl all you want, but The Dark Knight is a freakin' fantastic movie and of all the Academy snubs in recent years, that is one of the most egregious, in my opinion.

But back to Inception. I really don't have a whole lot to say about it because though certain things stand out, every moment was as well-crafted as the last and the next. I did not see and points that made it weak. In its own concept, in its own world, it was done just right. Are there better movies, better tales both original and adapted? Sure, probably. But that does not take away from Inception's perfection in and of itself. I, personally, wouldn't change a thing about it. I wouldn't dare touch it.

PREDICTIONS? Hardly, as if Sharlto Copley and Michael Sheen are getting nominated...

I have made the roughest combination of a dream list/prediction sheet. You'll see some glaring omissions, particularly from films I haven't seen yet, although some clear front-runners to get nominated I have left in some categories either for lack of a better suggestion or because I have faith that said film is awesome in that particular field. There are a couple categories that have an extra nominee because I couldn't narrow it down. There is a very clear bias in these selections. I have cut out a lot of Nine, there's no Invictus to be found, very little The Lovely Bones, but I also haven't seen any of those three so that's no surprise.

Movies yet to be watched, Oscar-wise, include (but are not limited to): The Lovely Bones, Nine, Invictus, The Last Station, The Young Victoria, The Hurt Locker, A Single Man, Crazy Heart, The Messenger, Brothers, The Imaginarium of Doctor Parnassus, and a big host of others I could see. As it is, chances I'll see The Last Station or Brothers are kind of wobbly. Love Helen Mirren and the stars of Brothers, but goddamn does the material look eh.

Also to note, my original best Actor category had eight people (Michael Stuhlberg, George Clooney, and Matt Damon were also on it). I feel like a traitor totally ignoring Morgan Freeman, but this is a tough category this year, IMO.

ANYWAY, here is my intensely rough list praising District 9 and Bright Star far more than either will ever get praised:

(*asterisks mark movies I haven't seen*)

Best Picture
Avatar
District 9
An Education
*The Hurt Locker
Inglourious Basterds
Julie & Julia
A Serious Man
Star Trek
Up
Up in the Air

Best Actor
*Jeff Bridges – Crazy Heart
Sharlto Copley – District 9
*Colin Firth – A Single Man
*Jeremy Renner – The Hurt Locker
Michael Sheen – The Damned United

Best Actress
Sandra Bullock – The Blind Side
Abbie Cornish – Bright Star
Carey Mulligan – An Education
Gabby Sidibe – Precious
Meryl Streep – Julie & Julia

Best Supporting Actor
*Woody Harrelson – The Messenger
Alfred Molina – An Education
Stanley Tucci – Julie & Julia
*Stanley Tucci – The Lovely Bones
Cristoph Waltz – Inglourious Basterds

Best Supporting Actress
Vera Farmiga – Up in the Air
Anna Kendrick – Up in the Air
Melanie Laurent – Inglourious Basterds
*Julianne Moore – A Single Man
Mo’Nique – Precious

Best Director
*Kathryn Bigelow – The Hurt Locker
James Cameron – Avatar
Jane Campion – Bright Star
Joel and Ethan Coen – A Serious Man
Lone Scherfig – An Education
Quentin Tarantino – Inglourious Basterds

Best Original Screenplay
(500) Days of Summer
*The Hurt Locker
Inglourious Basterds
A Serious Man
Up

Best Adapted Screenplay
District 9
An Education
The Informant!
Precious
Up in the Air

Best Editing
Avatar
*The Hurt Locker
Inglourious Basterds
A Serious Man
Up in the Air

Best Cinematography
Avatar
Bright Star
District 9
*The Hurt Locker
Inglourious Basterds

Best Costume Design
Bright Star
*The Imaginarium of Doctor Parnassus
Inglourious Basterds
Julie & Julia
*Nine
*The Young Victoria

Best Make-Up
Avatar
District 9
Star Trek
Where the Wild Things Are

Best Art Direction
Bright Star
District 9
Inglourious Basterds
*Nine
A Serious Man

Best Visual Effects
2012
9
Avatar
District 9
Star Trek

Best Sound Editing
Avatar
District 9
*The Hurt Locker
Star Trek
Up

Best Sound Mixing
Avatar
District 9
*The Hurt Locker
Star Trek
Up

Best Original Score
Avatar
The Informant!
The Princess and the Frog
Star Trek
Up
Where the Wild Things Are

Best Song
“I See You” – Avatar
*“The Weary Kind” – Crazy Heart
“Almost There” – The Princess and the Frog (or “When We’re Human” or “Down in New Orleans”)
“Cinema Italiano” – Nine
“All Is Love” – Where the Wild Things Are

Best Animated Feature
Coraline
Fantastic Mr. Fox
*Ponyo
The Princess and the Frog
Up

(excluded: Best Animated Short, Best Live Action Short, Best Documentary Short, Best Foreign Language Film, Best Documentary Feature)

Television Shows I Will One Day (Re)Watch ... + Bright Star

Rewatch:
- Battlestar Galactica (again; seen two times through, but will never get tired of... or have the time again...)
- Cowboy Bebop (I've seen it many times, but it's been years and recently I've been recalling just how truly amazing it is)
- True Blood (maybe I'll skim some of the first season, but I'd like to revisit it)
- Heroes (...first season. I saw it many times, but that was before the subsequent seasons were so bad)
- Glee (once the first season ends, I look forward to revisiting it and loving every moment)
- Chuck (...it's so good and I miss it so much. DON'T KILL ME; I never saw the season 1 finale)

Watch:
- Lost (when it finishes)
- Breaking Bad (...I'll start it eventually)
- Upstairs, Downstairs (I loved Gosford Park; this seems appropriate)
- My So-Called Life
- Freaks and Geeks


So mostly, I wrote this post because I really, really, really want to rewatch Cowboy Bebop. And Battlestar Galactica (but I always want to be watching BSG; I hope there is a parallel universe somewhere where all I do is watch BSG). But mostly, recently, particularly because I am (or rather, should be) writing a paper on Yoko Kanno, frontwoman of The Seatbelts, responsible for the brilliant soundtrack to the only anime I've ever given the time of day to. Cowboy Bebop was my favourite TV series prior to discovering Battlestar Galactica (yeah, I like me some space settings), and sometimes I forget why. Not because it's not brilliant, but because I haven't touched it in so long. I want so badly to have the thirteen (fifteen including the movie) hours necessary to just watch the whole thing. Stupid frakking homework.


On a brighter (no pun intended) note, I saw Bright Star earlier this afternoon. My mother (rightfully) thought it was slow, but I enjoyed the pace of the movie. It didn't feel slow to me because it didn't drag and the pace was steady; no rushing thither and hither (something that pissed me off about Becoming Jane was its sort-of-ending where the back-and-forth just contrasted far too much with the rest of the movie and was just blegh... but there are other reasons I don't like Becoming Jane that much that I won't get into here). Anyway, not only did I fall head-over-heels in love with the GORGEOUS Ben Whishaw, but I also loved Abbie Cornish's performance (as many have already noted in the critical world, but I don't have the bonus of advanced screenings and a career devoted to the habits that I have to find time to indulge). She was a real treat, as was the whole movie. I normally don't like historical/period romances very much. Atonement bothered me, Becoming Jane was annoying, the only ones I really tend to like are Jane Austen adaptations (Sense and Sensibility and Pride and Prejudice were both delightful, in my opinion). But I really did enjoy watching Bright Star and only felt about two ounces of guilty over it (but I blame that on my torn eye between the buzzed-about Abbie Cornish and the beautifulbeautifulbeautiful Ben Whishaw). And even if the movie wasn't a spectacular sensation, the delicacy of it and how well put together it was reflects very strongly on Jane Campion, who directed the film extremely well. No wonder she's one of the only three women to ever be nominated for an Academy Award for Best Director. And as Lina Wertmuller made Swept Away (comment on the politics all you want, that is one effed-up movie) and Sofia Coppola disgraced The Godfather, Part III (thank god she's a better writer/director than actress), I think she's probably my favourite of the small club. I know it's a tough season alongside James Cameron, Jason Reitman, Clint Eastwood, Peter Jackson, and even another woman (thank goodness!) Kathryn Bigelow, but I really admired Jane Campion's work in the direction of Bright Star. I just wonder to myself how long until someone updates Wikipedia with a listing of fact vs. fiction for the film (I know next to nothing about John Keats so I wouldn't know myself).


Anyway, that's all I've got to say for now. Might see Zombieland before the long weekend's out, but I wouldn't count on it. But Friday = Where the Wild Things Are! Please let it be amazing!